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While Sekiro: Shadows Die Twice is set in Sengoku Period Japan, it is still hardly anime in design, retaining the gritty and realistic art style of its spiritual precedessors. Metamorphic Force may be the only Japanese-developed Beat 'em Up to look like a Western cartoon or fantasy comic yet not be based on one. Kaneko's DJ Boy and its sequel B. Rap Boys are beat-em-ups heavily influenced by American hip hop and street culture of the 80s, and as such have cartoony sprites and graphic elements inspired by graffiti. Light Crusader looks much more like a European Amiga game than any of Treasure's other Sega Genesis efforts. The Progressive Rock motifs help confirm this impression.

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Zos Kias is one of those American manga series that reads right to left. Web Original Keit-Ai features animesque art in the webcomic version. Meanwhile, the fanfic and original fiction also feature a mostly Japanese setting and characters. This is to be expected of a series that originated from 4chan. Certain Neopets look suspiciously like Pokémon, the PetPets even more so. Despite being a text-based Shared Universe serial, Whateley Universe frequently applies anime tropes, often lampshading or deconstructing them but just as often playing them straight. This is underscored by their being a number of characters who are explicit Captain Ersatz of anime or video game characters either due to their mutation (e. g, Tennyo, Tif Lock, Aerys, and Tiff's brother Squalling), or because they deliberately emulate their favorite characters to an obsessive degree (e. g, Ash and AKIRA). note It has been noted that all of the ones whose power turned them into copies were all just as obsessive about those characters before they were transformed, meaning that on some level they became who they wanted to be. Along with having a manga style cover, the Superhero Web Serial Novel Gamer Girl is bursting with anime tropes, from manga-like facial expressions, to long, Shōnen-esque fights, to wacky gag anime-style comedy. This concept was parodied twice in Garfield and Friends first in "Invasion of the Big Robots" where Garfield winds up in a Voltron-esque show, and in "The Clash of the Titans" where Garfield and Odie team up with the X-Men expies The Power Squad. Regular Show: The episode "Brain Eraser" has Mordecai and Rigby rent a videotape of an anime series known as "Planet Starlight Chasers Excellent", which is a parody of many anime series that were popular in The '80s and The '90s. It fits in with the Retro Universe of the show itself, having blinding fight scenes and a Gratuitous Japanese theme song. The video store owner (voiced by Roger Craig Smith, who has done voices for many anime) confesses to watching it "all day, every day. " The episode "Brilliant Century Duck Crisis Special" is a huge homage to the Humongous Mecha genre, complete with a Shot-for-Shot Remake of the opening to Neon Genesis Evangelion. The recursive "American cartoon with Japanese-outsourced animation that disguises itself as American" style that was endemic in the '80s (see the "Animation-USA" tab in the "Straight Examples" section) was parodied in the Amazing World of Gumball episode "The Sweaters", which featured a high school and a couple of characters drawn entirely in this style. They even have a more washed-out color scheme as if they were ripped straight from an old VHS tape. Sarah's drawings are drawn in a deliberately sucky but anime-inspired way. The flashback sequence in "The Fury" is done in a Dragon Ball style, while fight sequence in the same episode is done in an Animesque style. Major Lazer uses a style that makes it look as if it were an American cartoon from The '80s co-produced by Toei. The final episode of the sixth Futurama season features three stories animated in a different style, including anime.