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"[226] In Manga: The Complete Guide, author Jason Thompson gave Berserk 4 out of four stars. He called it "[a] blood-soaked sword-and-sorcery epic with elements of Clive Barker's Hellraiser," and wrote: "Berserk's medieval European world of mud and blood is so realistic—and drawn in such realistic detail—that when dark fantasy elements begin to intrude upon it, they do so with a slow, dawning horror. "[4] Thompson, in a review for j-pop. com, also wrote: "Despite the slaughter, Berserk doesn't feel as amoral as it could be; our hero is a killer, but given his well-developed back story, his occasional tears of remorse seem more genuine than, say, Crying Freeman's. "[227] In another article, writing for Anime News Network (ANN), Thompson said that Berserk started as "the story of a lone swordsman traveling the world fighting demons with blood and sweat," and it was later turned into a "fantasy RPG party of heroes with a magic-user, a thief, a fighter, some elves, etc. ," commenting that Miura apparently was "aiming the series at a younger age group. " Despite this, Thompson stated: "I'm still impressed by Miura's great art and his ability to create such a long storyline with so much scope and (relative to other manga, at least) so little filler. No other seinen fantasy manga has such well-developed characters with such deep backstories, even for the minor characters. "[80] Matt Fagaly, writing for Crunchyroll, analyzed Berserk's use of shōnen and shōjo manga tropes in the Lost Children arc (volumes 14–16), which resulted in an "entirely original and moving narrative. " Fagaly commented about the arc protagonist, Jill, and her hopeful words at the end of that story, further adding: "I have never seen another Shonen or Shojo express this notion with the same audacity, depth, and idiosyncrasy as Berserk. "[228] Carl Kimlinger, writing for ANN, in his review of the thirty-fifth volume, compared Guts' "monster-plagued" trip to Elfhelm to the fantasy tales of Robert E.

"Japan's Animation DVD Ranking, August 15–21". Anime News Network. Archived from the original on July 5, 2022. Retrieved August 23, 2016. ^ Blu-ray and DVD rankings: Loo, Egan (September 20, 2016). "Japan's Animation Blu-ray Disc Ranking, September 12–18". Anime News Network. Archived from the original on December 18, 2020. Retrieved September 20, 2016. Loo, Egan (September 20, 2016). "Japan's Animation DVD Ranking, September 12–18".

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^ 陰の実力者になりたくて! (9) (in Japanese). Kadokawa Shoten. Archived from the original on October 26, 2022. Retrieved September 20, 2022. ^ "The Eminence in Shadow, Vol. 9 (manga)". Yen Press. Retrieved October 25, 2023. ^ 陰の実力者になりたくて! (10) (in Japanese). Kadokawa Shoten. Archived from the original on November 14, 2022. 14 eps • 2023–202414 episodes • 2023–2024Yûichi NakamuraAndy. 12 eps • 202312 episodes • 2023Natsuki HanaeShen11 eps • 202311 episodes • 2023Yui IshikawaMui6 eps • 20236 episodes • 2023Yumi UchiyamaNarrator6 eps • 20236 episodes • 2023Kôji YusaNico6 eps • 20236 episodes • 2023Aoi YûkiGena.
He didn’t actually return to his world and he isn’t actually interacting with them. It’s all an illusion made by a witch. It’s fake, hot air, doesn’t matter. We are literally watching a show where the power fantasy is real and the real world is fake. That’s messed up.
Also, what the fudge do you think is going to happen next? You honestly think Subaru is going to return to the real world and make friends? No, he hates reality and will do his best to run back to a magical fantasy land that has videogame save slots, and where sleeping beauties and maids and ghost witches love him for being normal and with not with broken powers at all. He will go back to chasing after waifus in this fictional power fantasy for ronery otakus. Which was the case since the very beginning. What value is there in his realization if nothing is going to change? That’s the hypocrisy of Rezero that so many are defending. It’s escapism fantasy that pretends to be a subversion when down to it it’s only fooling around with a done to death premise without actually changing anything. It’s the tenth time Subaru realizes he is not special, his supposed development came out of nowhere through characters that were just established, through magic that works however it suits the plot, and through illusions instead of real life.