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Despite the combined efforts of Maka, Black Star, and Death the Kid, Medusa's group successfully revives Asura, who leaves to spread chaos around the world after a brief battle with Shinigami. Medusa is seemingly killed by meister and DWMA teacher Franken Stein, while Crona surrenders to DWMA and enrolls there. As a result of Asura's spreading madness, Medusa's sister Arachne comes out of hiding and reforms her organization, Arachnophobia, which poses a serious threat to DWMA. Shinigami calls in death scythes from around the world to aid in the fight against Arachnophobia. During this time, Medusa reappears with her soul possessing the body of a young girl, and forms a truce with DWMA so they can annihilate Arachnophobia together. The DWMA students and Medusa's entourage infiltrate Arachnophobia's headquarters, where Maka kills Arachne, only for Medusa to betray DWMA, possess Arachne's body, and brainwash Crona into rejoining her. Meanwhile, Death the Kid is captured by Noah, an artificial construct created from the Book of Eibon. Following this, Maka uses Arachne's soul to turn Soul into a death scythe. The duo become part of the newly formed meister unit Spartoi along with their friends, who rescue Death the Kid and defeat Noah. Crona resurfaces in a city in Russia, destroying it and the death scythe stationed there, before being provoked by Medusa into killing her and getting taken by insanity. Maka is ordered by Shinigami to hunt down Crona; while searching for Crona with her powers, she unwittingly detects Asura's location on the cartoonish moon within the atmosphere.

"Haunting "Berserk" 2016 TV Anime Teaser Accompanied By Theme Song News". Anime News Network. Archived from the original on 29 March 2016. Retrieved 26 March 2016. ^ "Berserk Anime's Next Arc to Premiere Next Spring". Anime News Network.

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Mugen and Jin then have their duel, their swords shattering, but choose not to kill each other as they now consider each other friends. Fuu learns her father played a part in the Shimabara Rebellion and went away to protect her. Fuu also reveals she lied about the coin toss result, which briefly annoys Mugen and Jin. Recovered from their final fight, the three part ways grateful for their shared adventure. Setting and themes[edit] Series director Shinichirō Watanabe defined the central theme of Samurai Champloo as the portrayal and acceptance around death, themes he had previously explored in his science fiction series Macross Plus (1994) and Cowboy Bebop (1998). [5] Another theme outlined in the series pitch was individuality and finding one's unique identity. [6] The series is set in Edo period Japan, roughly sixty years after the end of the Sengoku period. [7] While a historical time period, the anime does not focus on historical detail beyond minor inclusions and references, mainly using contemporary-style dialogue and behavior. [5][8] A conscious inclusion was emphasising cultural acceptance and tolerance of minorities including the indigenous Ainu people, foreigners, LGBT people, and Christians; the historical Edo period was a time when Japan was highly structured, conformist and isolationist. [5][9] Due to its Edo setting and incorporation of samurai culture and honor codes, Watanabe was worried the anime would be seen as nationalistic in tone, prompting its focus on minorities and tolerance. [10] Watanabe put in as much as he could manage of these themes and subjects, challenging earlier limitations imposed by a lack of historical information from the time and Japanese television codes restricting the portrayal of Japanese minorities in the period. Archived from the original on April 18, 2008. Retrieved December 8, 2021. ^ "Tokyopop - Initial D, Vol. 1". Tokyopop. Archived from the original on August 25, 2009.