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加點音樂誌 (in Chinese (Taiwan)). August 24, 2020. Retrieved June 18, 2023. ^ a b c "ロジャー・コーマン監督が惚れた『PERFECT BLUE』、南阿佐ヶ谷の机の上からベルリン映画祭へ!(2/2)". BANGER!!! (in Japanese). ジュピターエンタテインメント株式会社. February 10, 2019. Retrieved September 24, 2021. ^ a b "Interview 12 2001年7月 カナダから、主に「千年女優」に関するインタビュー". KON'S TONE (in Japanese). 今敏.

^ Afterword of the sixth light novel volume ^ a b Fumio Kunori (Reki Kawahara). "web novel". WordGear (in Japanese). Archived from the original on February 17, 2013. Retrieved July 7, 2012. ^ a b "Interview with Kawahara Reki @ Sakura-Con 2013".

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The director was nevertheless an anti-war advocate, a staunch supporter of Article 9 of the Japanese Constitution, and has openly criticized Japan's penchant for conformity, allowing them to be rallied against other nations. He expressed despair and anxiety whenever the youth are told to fall in line, a reminder that the country at its core has not changed. [29] Despite the public's emotional reaction, Takahata expressed that the purpose of the film was not to be a tragedy or make people cry. [30][31] Moreover, he regretted depicting Seita as a boy from that era because he wanted him to come off as a contemporary boy who acted like he had time-traveled to the period. He didn't intend for it to be retrospective or nostalgic. He wanted the Japanese audience to be weary of Seita's behavior. [30] Furthermore, he says that his decision to show the audience that Seita and Setsuko have died at the beginning of the movie is to protect the audience from heartbreak, "If an audience knows at the beginning of the film that the two will eventually die, they are more prepared to watch the film in the first place. I try to lessen an audience's pain by revealing everything at the beginning. "[15][16] The fireflies in the film are portrayed as symbols of various themes such as the spirits of the lost children, the fires that burned the towns, Japanese soldiers, the machinery of war, and the regeneration of life through nature. [21] Okypo Moon states in her essay "Marketing Nature in Rural Japan", that hundreds of fireflies were caught nightly in the 1920s and 1930s. In the 1960s and 1970s, there was a shift to reinstate this tradition and "there are now eighty five 'firefly villages' (hotaru no sato) registered at the Ministry of the Environment in Japan. Retrieved June 30, 2016. ^ "この素晴らしい世界に祝福を!エクストラ あの愚か者にも脚光を!" (in Japanese). Kadokawa Shoten. Archived from the original on October 30, 2017. Retrieved January 29, 2018. ^ a b "Yen Press Licenses Konosuba, Death March to the Parallel World Rhapsody Manga, Light Novels".
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