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[63] In 1978, Cardte Hicks became the first woman to dunk in a professional game[64] during a men's professional game in the Netherlands. In 1984, Georgeann Wells, a 6'7" (201 cm) junior playing for West Virginia University, became the first woman to score a slam dunk in women's collegiate play, in a game against the University of Charleston on 21 December. [65] On December 4, 1994, Charlotte Smith (basketball), then a member of the UNC Tar Heels women's basketball team, became the second collegiate women's player ever to dunk. [66] As of 2018, 21 dunks have been scored by 7 different WNBA players. 7 of them were scored in All-Star games, while the remaining 14 took place during the regular season or playoffs. The first and second were scored by Lisa Leslie of the Los Angeles Sparks, on 30 July 2002 (against the Miami Sol), and 9 July 2005. Other WNBA dunks have been scored by Michelle Snow, Candace Parker (twice), Sylvia Fowles, Brittney Griner, Glory Johnson, Jonquel Jones, Elena Delle Donne, Awak Kuier, Tina Charles and Liz Cambage. [67] The record for the most WNBA dunks belongs to Brittney Griner. As a high school senior, she dunked 52 times in 32 games and set a single-game record of seven dunks. [68] As a standout at Baylor University, Griner became the seventh player to dunk during a women's college basketball game[69] and the second woman to dunk twice in a single college game. [70] In her WNBA debut on 27 May 2013, Griner dunked twice. Yokokawa (横川 さん) Yoshiko Shinohara [ja] Veronica Taylor Shelley Calene-Black Seita and Setsuko's aunt Akemi Yamaguchi [ja] Amy Jones Marcy Bannor Seita and Setsuko's cousin Kazumi Nozaki Shannon Conley Unknown Doctor Hiroshi Kawaguchi Dan Green David Wald Production[edit] Development[edit] Incendiary bombs being dropped onto Kobe, the setting of the filmGrave of the Fireflies author Akiyuki Nosaka said that many offers had been made to make a live-action film adaptation of his short story. [6] Nosaka argued that "it was impossible to create the barren, scorched earth that's to be the backdrop of the story". [6] He also argued that contemporary children would not be able to convincingly play the characters. Nosaka expressed surprise when an animated version was offered. [6] After seeing the storyboards, Nosaka concluded that it was not possible for such a story to have been made in any method other than animation and expressed surprise in how accurately the rice paddies and townscape were depicted. [6] Isao Takahata said that he was compelled to film the short story after seeing how the main character, Seita, "was a unique wartime ninth grader". [7] Takahata explained that any wartime story, whether animated or not animated, "tends to be moving and tear-jerking", and that young people develop an "inferiority complex" where they perceive people in wartime eras as being more noble and more able than they are, and therefore the audience believes that the story has nothing to do with them. Takahata argued that he wanted to dispel this mindset. [6] When Nosaka asked if the film characters were "having fun", Takahata answered that he clearly depicted Seita and Setsuko had "substantial" days and that they were "enjoying their days". [8] Takahata said that Setsuko was even more difficult to animate than Seita, and that he had never before depicted a girl younger than five. [6] Takahata said that "In that respect, when you make the book into a movie, Setsuko becomes a tangible person", and that four-year-olds often become more assertive and self-centered, and try to get their own ways during that age.