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Archived from the original on April 11, 2020. Retrieved January 13, 2015. ^ Inoue, Takehiko [@inouetake] (May 21, 2015). 【お知らせ】本日発売のモーニングにバガボンド327話「忠興という名の川」掲載です。 (Tweet) (in Japanese). Retrieved July 14, 2021 – via Twitter. ^ "Works".

Animate Times (in Japanese). September 3, 2023. Retrieved September 3, 2023. ^ 鬼頭明里:テレビアニメ「お嬢と番犬くん」ED担当 5枚目シングルが10月11日発売. Mantan Web (in Japanese). June 24, 2023.

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Archived from the original on October 11, 2023. Retrieved October 11, 2023. ^ Pineda, Rafael Antonio (November 13, 2018). "Fire Force Manga by Soul Eater's Atsushi Ohkubo Gets TV Anime by David Production". Anime News Network. Archived from the original on August 6, 2020. Retrieved March 18, 2019. ^ Blue Moon Game. "Attack on Titan: Assault available now on iOS". Attack on Titan: Assault available now on iOS. Archived from the original on November 21, 2021. Thematically, the work centers on the nature of youth to rebel against authority, control methods, community building and the transformation experienced in adolescent passage. The latter is best represented in the work by the morphing experienced by characters. [21] Susan J. Napier identified this morphing and metamorphosis as a factor that marks the work as postmodern: "a genre which suggests that identity is in constant fluctuation. " She also sees the work as an attack on the Japanese establishment, arguing that Otomo satirizes aspects of Japanese culture: in particular, schooling and the rush for new technology. Akira's central image of characters aimlessly roaming the streets on motorbikes is seen to represent the futility of the quest for self-knowledge. The work also focuses on loss, with all characters in some form orphaned and having no sense of history. The landscapes depicted are ruinous, with old Tokyo represented only by a dark crater. The nihilistic nature of the work is felt by Napier to tie into a wider theme of pessimism present in Japanese fantasy literature of the 1980s. [22] According to Dolores P. Martinez, the serial nature of the work influenced the storyline structure, allowing for numerous sub-plots, a large cast, and an extended middle sequence.
[24] In July 2016, Viz Media announced they acquired the Blu-ray rights to the series and released it with an English dub in July 2017. On October 15, 2016, American cable block Adult Swim began airing the anime on its Toonami block. [24] Reception[edit] Sales[edit] The first DVD release of the TV anime was the fourth best-selling animation DVD in Japan for the week of January 28 to February 3, 2013, with 4,510 copies sold. [25] Its Blu-ray version was the fourth best-selling animation Blu-ray for that same week, with 14,860 copies sold. [26] The second volume ranked sixth in both animation DVDs and Blu-rays for the week of February 18–24, with 2,764 and 12,501 copies sold respectively. [27][28] The anime's third volume was the sixth best-selling animation DVD, with 2,994 copies sold, and the second best-selling animation Blu-ray, with 13,536 copies sold, for the week of March 25–31. [29][30] Critical reception[edit] The JoJo's Bizarre Adventure anime television series was named one of the best of 2012 by Otaku USA. [31] It was added to the list by Joseph Luster, however, in his review he cited David Production having a small budget for several of his problems with the series, stating some portions of the animation are a "butt hair above motion comic standards," but that it usually makes up for it in "sheer style. "[32] Michael Toole of Anime News Network had similar views, writing that the show's good writing, art direction, and pacing were "sometimes obscured by grade-Z animation. "[33] Several critics have credited the success of the anime adaptation for bringing about a surge of popularity for the JoJo's Bizarre Adventure franchise amongst Western audiences. [33][34] In 2018, Danni Wilmoth of Crunchyroll included the series on her list of "The 20 Series Every Anime Fan Needs to Watch".