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[36] Opening theme[edit] No. Title Original artist English artist Episodes Total Original International release 1 "We Are!" Hiroshi Kitadani Russell Velazquez (4Kids; unused)
Vic Mignogna, Jerry Jewell[b] (Crunchyroll)[c] 1–47, 1000 48 2 "Believe" Folder 5 Meredith McCoy 48–115 68 3 "Hikari e" The Babystars Vic Mignogna 116–168 53 4 "Bon Voyage!" Bon-Bon Blanco Brina Palencia 169–206 38 5 "Kokoro no Chizu" Boystyle N/A (not dubbed) 207–263 57 6 "Brand New World" D-51 264–278 15 7 "We Are! (7 Straw Hat Pirates Ver. )" 7 Straw Hat Pirates 279–283 279–325 5 47 8 "Crazy Rainbow" Tackey & Tsubasa 284–325 Not licensed 42 — 9 "Jungle P" 5050 326–372 326–458 47 133 10 "We Are! (One Piece Animation 10th Anniversary Ver. )" TVXQ 373–394 Not licensed 22 — 11 "Share the World!" TVXQ 395–425 31 12 "Kaze o Sagashite" Mari Yaguchi with the Straw Hats 426–458 33 13 "One Day" The Rootless 459–492 34 14 "Fight Together" Namie Amuro 493–516 24 15 "We Go!" Hiroshi Kitadani 517–590 517–628 72 111 16 "Hands Up!" Kota Shinzato 591–628 Not licensed 38 — 17 "Wake Up!" AAA 629–686 58 18 "Hard Knock Days" Generations from Exile Tribe 687–746 60 19 "We Can!" Kishidan and Hiroshi Kitadani 747–806[d] 60 20 "Hope"[e] Namie Amuro 807–855 49 21 "Super Powers" V6 856–891 36 22 "Over the Top" Hiroshi Kitadani 892–934 43 23 "Dreamin' On" Da-ice 935–999, 1001–1004 69 24 "Paint" I Don't Like Mondays. 1005–1027, 1031–1073 1005–1073 66 69 SP "New Genesis (Uta from One Piece Film: Red)"[f] Ado 1028–1030[g] Not licensed 3 25 "The Peak" Sekai no Owari 1074–1088 15 26 "UUUUUS!" Hiroshi Kitadani 1089–present TBD Alternates "One Piece Rap" (4Kids) Version 1: (Episodes 1–29) Version 2: (Episodes 30–59) (inclusion of Sanji and Usopp in the lyrics) Version 3: (Episodes 60–104) (inclusion of Chopper in the lyrics) Ending theme[edit] # Title Original artist English artist Episodes Total 1 "Memories" Maki Otsuki Brina Palencia 1–30 30 2 "Run! Run! Run!" Caitlin Glass 31–63 33 3 "Watashi ga Iru Yo" Tomato Cube Leah Clark 64–73 10 4 "Shōchi no Suke" Suitei Shojo Stephanie Young 74–81 8 5 "Before Dawn" Ai-Sachi Kristine Sa 82–94 13 6 "Fish" The Kaleidoscope Leah Clark 95-106 12 7 "Glory -Kimi ga Iru Kara-" Takako Uehara Caitlin Glass 107–118 12 8 "Shining Ray" Janne da Arc Justin Houston 119–132 13 9 "Free Will" Ruppina Allan Jensen 133–155 24 10 "Faith" Caitlin Glass 156–168 12 11 "A to Z (One Piece Edition)" ZZ Vic Mignogna 169–181 13 12 "Tsuki to Taiyō" Shela Stephanie Young 182–195 14 13 "Dreamship" Aiko Ikuta Jessi James 196–206 11 14 "Mirai Kōkai" Tackey & Tsubasa N/A (swapped with ending 15) 207–230 24 15 "Eternal Pose" Asia Engineer N/A (not dubbed) 231–245 15 16 "Dear Friends" Triplane 246–255 10 17 "Asu wa Kuru Kara" TVXQ 256–263 8 18 "Adventure World" Delicatessen 264–278 15 19 "Raise" Chili Beans 1071–1088 18 20 "Dear Sunrise" Maki Otsuki 1089- TBD Other music[edit] On December 23, 2019, a teaser video was uploaded on Arashi's YouTube channel, in collaboration with the anime. The 39-second video for the song A-ra-shi: Reborn, has the 5 animated members of the band mingling with the crew from the anime, up until the moment when Arashi is about to give a concert. The full version video was released on January 4, 2020. [37] Reception[edit] Ratings[edit] The anime has been very well received. The first episode of the anime adaptation earned a viewer rating of 12. 4%, behind Pokémon and ahead of Ojamajo Doremi. [38] In Japan, One Piece has consistently been among the top five animated shows in television viewer ratings, as of 2020[update].

[69] One million copies of the volume were given to the first movie-goers. [70] Tokyo Ghoul author Sui Ishida created a 69-page storyboard of a manga chapter depicting the past of Hunter × Hunter's Hisoka. The storyboard was released digitally via Shōnen Jump+ on June 2, 2016. [71] Anime[edit] 1999 series[edit] Main article: Hunter × Hunter (1999 TV series) The first Hunter × Hunter anime adaptation was produced by the company Nippon Animation and directed by Kazuhiro Furuhashi, who had previously directed the Rurouni Kenshin television series. [72] A total of 62 episodes of Hunter × Hunter were broadcast on the Japanese terrestrial television network Fuji Television from October 16, 1999 to March 31, 2001 during the same Saturday evening timeslot as the anime version of Togashi's previous series YuYu Hakusho. [5][73][74] Additionally, Hunter × Hunter has aired on the satellite television station Animax. [75][76] Although it closely follows the manga, the violence in the anime version is lessened for younger audiences. [5] Marvelous Entertainment has released all episodes of the series in Japan on DVD in 13 separate volumes between September 20, 2000 and September 19, 2001. [77] Viz Media licensed the Hunter × Hunter anime for distribution in the Region 1 market, with English voice-work handled by the Ocean Group at Blue Water Studios in Calgary, Alberta, Canada. [13][78] The series was released on four DVD boxed sets from December 9, 2008, to December 1, 2009. [79][80] Starting with the second set, Viz partnered with Warner Home Video to distribute the DVDs.

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Series 3 focuses more on Peter's life, Beatrice and her new baby (Petra), Lyle, and Gloria, the receptionist. Toward the end of the series Peter begins to suffer from small blackouts. He has some minor tests done to find out the cause of the problem. It is revealed in the last episode that Peter has Type 2 diabetes. When Peter asks the doctor whether he should tell Beatrice and Petra to get checked out, the doctor revealed that diabetes isn't the only thing they discovered. In the final scenes Peter reveals that he has found out that he has no blood relation to Beatrice or Simon, and that therefore "their" father was not in fact his father. Characters[edit] Tony Slattery (right) as Sidney Snell during filming of the second series in 2007. To emphasise the character's unkempt nature, his costume is rarely changed. The characters are described by Wheeler as "three families"; Peter's relations, his colleagues, and the populace of Market Shipborough. [2] Peter Kingdom (played by Stephen Fry) is a Cambridge-educated solicitor and one half of Kingdom & Kingdom, a law firm he ran with his father. Peter is respected and regarded as compassionate by the local community. The young Suzume becomes energized and decides to leave the Ever-After and return (in the past), leading to her being found by Tamaki twelve years prior. Suzume and Souta leave the Ever-After themselves (to the present), with Souta returning to Tokyo, while Suzume and Tamaki return to Kyushu, revisiting the friends Suzume made along the way. Sometime later, back in her hometown in Kyushu, Suzume makes her way to school. To her surprise, she runs into Souta again, at the same location where they first met. Voice cast[edit] Character Cast Japanese English[4] Suzume Iwato (岩戸 鈴芽, Iwato Suzume) Nanoka Hara[5]
Akari Miura (young)[6] Nichole Sakura
Bennet Hetrick (young) Souta Munakata (宗像 草太, Munakata Sōta) Hokuto Matsumura[7] Josh Keaton Tamaki Iwato (岩戸 環, Iwato Tamaki) Eri Fukatsu[8] Jennifer Sun Bell Minoru Okabe (岡部 稔, Okabe Minoru) Shota Sometani[8] Roger Craig Smith Rumi Ninomiya (二ノ宮 ルミ, Ninomiya Rumi) Sairi Ito[8] Amanda C. Miller Chika Amabe (海部 千果, Amabe Chika) Kotone Hanase[8] Rosalie Chiang Tsubame Iwato (岩戸 椿芽, Iwato Tsubame) Kana Hanazawa[8] Allegra Clark Hitsujirō Munakata (宗像 羊朗, Munakata Hitsujirō) Matsumoto Hakuō II[8] Cam Clarke Tomoya Serizawa (芹澤 朋也, Serizawa Tomoya) Ryunosuke Kamiki[9] Joe Zieja Daijin (ダイジン) Ann Yamane[10] Lena Josephine Marano Miki (ミキ) Aimi[11] Mela Lee Production[edit] Development[edit] The 2011 Tōhoku earthquake and tsunami served as an influence for the film. The stranded catamaran Hamayuri [ja] in this aerial image taken in Ōtsuchi, Iwate became the prototype of the stranded vessel appearing in the afterlife scene. Makoto Shinkai conceived the idea for Suzume while he was traveling around Japan to give talks about his past works. He said, "In Japan, it is customary to hold a jichin-sai [ja] or groundbreaking ceremony, before construction begins on a new building or home, but we do nothing when we close them down. " Shinkai noticed that there were more empty or abandoned areas in Japan due to the country's declining birth rate and aging population, so he thought of writing a story about "mourning deserted places. "[12][13] As a result, the film inevitably turned into a road movie about visiting places.