scissor seven season 4 netflix
She impulsively decides to ditch her class to try and cycle to the mountains in the hopes of catching up to the young man in the abandoned town (oh dear). Things go from bad to worse when Suzume reaches the abandoned site and discovers a mystical
door that leads to another realm and accidentally uproots a kaname-ishi (spirit rock) that turns into a kitten in Suzume’s hands before bolting away. It's at this moment that the man of Suzume’s literal dreams shows up in time for the magic door to suddenly burst open as a terrifying dark force that barges its way into Suzume’s realm. All this takes place before we’ve hit the 30-minute mark of this two-hour saga, mind you. Photo: ©2022SNTFP After his unsuccessful attempt to close the portal of doom and shut away the sinister force, the stranger introduces himself to Suzume as Sota (voiced by Hokuto Matsumura) and explains that he’s on a mission to locate more doors like the one they just encountered and lock them all up. Before Sota can set out to continue on his quest, however, the spirit stone-turned-kitten from earlier reappears at Suzume’s bedroom window and turns Sota into a child-sized c
hair. Knowing that Sota would struggle to survive his mission as a small chair, Suzume resolves to accompany him on his journey and help him return to his human form. What follows is a wild-goose chase across Japan, where Suzume and Chair Sota bounce from Miyazaki to Shikoku to Shin-Kobe, locking up magical doors as they go. From the get-go, it was clear that ‘Suzume no Tojimari’ would essentially be a retelling of Shinkai’s last two films. The symbolic red string of fate, which Shinkai slipped into ‘Your Name’ as the female protagonist's hair accessory, makes a discernible reappearance here as
part of Suzume’s
school uniform. Even the strange in-film product advertisement for McDonald’s makes an off-putting reprise.
Clamp's finalized original character design art, illustrated by its
lead artist Mokona, was subsequently converted into animation character designs for the series by Sunrise's character designer Takahiro Kimura, who had previously spent "every day" analyzing Clamp's art and style from their artbooks and manga series. [7] In working on the animation character designs, he focused on designing them so as to enable the series' other animators to apply them without deviating from Clamp's original art style. [7] The music for the series was composed by Kōtarō Nakagawa and Hitomi Kuroishi, who had earlier worked with the series' core staff in Planetes and Taniguchi's earlier work Gun X Sword. In addition to the incidental music featured in each episode, Kuroishi also composed numerous insert songs for the series, including "Stories", "Masquerade", "Alone", and "Innocent Days", which were each performed by Kuroishi herself, while "Picaresque" and "Callin'" were performed by the singer-songwriter Mikio Sakai, who had also earlier worked with Nakagawa and Kuroishi in Planetes. The bands FLOW, Ali Project, Jinn, SunSet Swish, Access, and Orange Range have provided songs for the
opening and ending themes in the original broadcast. [8][9] When the series was being developed for broadcast on MBS TV, it had been given the network's Saturday evening prime time slot, which was later changed to a Thursday late night time slot.
Clamp's finalized original character design art, illustrated by its
lead artist Mokona, was subsequently converted into animation character designs for the series by Sunrise's character designer Takahiro Kimura, who had previously spent "every day" analyzing Clamp's art and style from their artbooks and manga series. [7] In working on the animation character designs, he focused on designing them so as to enable the series' other animators to apply them without deviating from Clamp's original art style. [7] The music for the series was composed by Kōtarō Nakagawa and Hitomi Kuroishi, who had earlier worked with the series' core staff in Planetes and Taniguchi's earlier work Gun X Sword. In addition to the incidental music featured in each episode, Kuroishi also composed numerous insert songs for the series, including "Stories", "Masquerade", "Alone", and "Innocent Days", which were each performed by Kuroishi herself, while "Picaresque" and "Callin'" were performed by the singer-songwriter Mikio Sakai, who had also earlier worked with Nakagawa and Kuroishi in Planetes. The bands FLOW, Ali Project, Jinn, SunSet Swish, Access, and Orange Range have provided songs for the
opening and ending themes in the original broadcast. [8][9] When the series was being developed for broadcast on MBS TV, it had been given the network's Saturday evening prime time slot, which was later changed to a Thursday late night time slot.
