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Retrieved December 27, 2018. ^ Sneider, Jeff (February 14, 2019). "Marc Webb to
Direct 'Your Name'
Remake for
Paramount, Bad Robot". Collider. Archived from the original on February 15, 2019. Retrieved February 14, 2019. ^ Kroll, Justin (September 18, 2020). "Lee
Isaac Chung To Direct 'Your Name' Live-Action Reimagining From Toho, Paramount And Bad Robot". Deadline Hollywood. Archived from the original on September 18, 2020. Retrieved September 18, 2020.
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And it hurts real bad.
- Miyamura, Koichi Shindo and Makio Tanihara (with a wild Hori on the side): the middle-school "Happy Three Friends" of a convoluted past. The reason why Miyamura is surfaced as a lonesome otaku geek at the beginning is because of Tanihara and his clique of friends who used to bully Miyamura for his ostracized looks, to the breaking point where what Miyamura once confided in was taken away from him, leading to the gloomy aspect. It's only through Shindo that Tanihara would come to start accepting Miyamura for who he is, with the heart talks between both cementing the reconciliation years later. Other than that, Shindo is the casual butt of a joker, and with Hori adding into the equation only makes the S&M aesthetic look more prominent.
- The others who have significantly less screentime: Shu Iura is the objectively loud airhead of a character whom is exactly like Shindo, Honoka Sawada whom is seen as the detractor of the Horimiya relationship, and the Hori family of a beautiful, yet
somehow kinda "broken" family (in particular to Best Dad Kyosuke).
Ideally I would want to paint
this picture as someone whom has been in a relationship, but for the general audience, whether you're in one or not, Horimiya is as bare-bones as it can be, trading the romance aspect for its comedy of the Pareto Principle: 80% comedic slice-of-life, 20% romance.
“We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love. ” – Robert Fulghum
I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended picture of how people are supposed to perceive both the small and big moments, and this is something that I have to give the animators credit for.
