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09. The 1967 GTO was available in three body styles: Hardtop – 65,176 produced Convertible – 9,517 produced Sports coupe – 7,029 produced The GTO also saw several mechanical changes in 1967. The Tri-Power carburetion system was replaced with a single 4-barrel Rochester Quadrajet carburetor. The 389 cu in (6. 4 L) engine received a larger cylinder bore 4. 12 in (104. 6 mm) for a total displacement of 400 cu in (6. 6 L) V8, which was available in three models: economy, standard, and high output. The economy engine used a two-barrel carburetor rather than the Rochester Quadrajet and was rated at 265 hp (198 kW) at 4,400 rpm and 397 lb⋅ft (538 N⋅m) at 3,400 rpm. The standard engine was rated at 335 hp (250 kW) at 5,000 rpm, and the highest torque of the three engines at 441 lb⋅ft (598 N⋅m) at 3,400 rpm. The high output engine produced the most power for that year at 360 hp (365 PS; 268 kW) at 5,100 rpm and a maximum torque of 438 lb⋅ft (594 N⋅m; 61 kg⋅m) at 3,600 rpm.alone was enough to make me watch the series as it aired, something I don’t normally do.
Attack on Titan follows the story of Eren and the Survey Corps as they fight for survival in a world where monstrous beings known as titans terrorize humanity.
I absolutely love the premise of Attack on Titan. It’s definitely something that stands out and is at least somewhat unique in a sea of all too similar anime. Yes, humanity fighting for survival against monstrous beings has been done before but one could hardly accuse Attack on Titan of being generic. That’s unfortunately where my praise ends for the series. While the plot isn’t generic, almost everything else certainly is and it's not long before the show turns into glorified torture porn. The majority of the characters feel like little more than cardboard cutouts, including the protagonist. This is a huge problem in a series where death and survival are the main aspects, and a character’s death has no impact unless the viewer is attached to them.
Without spoiling too much there are one or more important characters that are introduced and die within the span of a single episode. The scenes are presented as if they are supposed to be dramatic and full of emotion, yet these characters are barely shown in the one episode they are in creating a weird contradiction.