boku no kokoro no yabai yatsu the dangers in my heart bokuyaba manga fruit basket prelude ver
(defunct) Nurse Witch Komugi (2003) Himawari! (2006) Nana & Kaoru (2008–2009) Apocrypha Getter Robot Dash (2009–2014) Paradise of Innocence (2010–2017) Nana & Kaoru Black Label (2010–2014) Nana Kao Pink Pure (2011–2013) Nobunaga no Shinobi: Owari Tōitsu-ki (2012–2017) Gou-dere Sora Nagihara (2013) Motoyome (2013–2017) Kentō Shitō Den Cestvs (2014–2018) The Testament of Sister New Devil: Storm! (2014–2016) Paradise of Innocence Parallel (2017–2018) Majo wa Mioji Kara (2018) I'm a Behemoth, an S-Ranked Monster, but Mistaken for a Cat, I Live as an Elf Girl's Pet (2018) Young Animal Island
(defunct) Gou-dere Sora Nagihara (2008–2014) Your Diary (2012–2014) Young Animal Densi
(defunct) Kine-san no Hitori de Cinema (2015–2017) Monthly Animal House
(Young Animal predecessor) King of Wolves (1989) Berserk (1989–1992) Ōrō Den (1990) Website: www. younganimal. com vteTezuka Osamu Cultural PrizeGrand Prize1990s Fujiko Fujio for Doraemon (1997) Jiro Taniguchi and Natsuo Sekikawa for the trilogy Bocchan No Jidai (1998) Naoki Urasawa for Monster (1999) 2000s Daijiro Morohoshi for Saiyū Yōenden (2000) Reiko Okano and Baku Yumemakura for Onmyōji (2001) Takehiko Inoue for Vagabond (2002) Fumiko Takano for The Yellow Book: A Friend Named Jacques Thibault (2003) Kyoko Okazaki for Helter Skelter (2004) Naoki Urasawa for Pluto (2005) Hideo Azuma for Disappearance Diary (2006) Ryoko Yamagishi for Terpsichora (2007) Masayuki Ishikawa for Moyashimon (2008) Fumi Yoshinaga for Ōoku: The Inner Chambers and Yoshihiro Tatsumi for A Drifting Life (2009) 2010s Yoshihiro Yamada for Hyouge Mono (2010) Motoka Murakami for Jin and Issei Eifuku and Taiyō Matsumoto for Takemitsuzamurai (2011) Hitoshi Iwaaki for Historie (2012) Yasuhisa Hara for Kingdom (2013) Chica Umino for March Comes in like a Lion (2014) Yoiko Hoshi for Aisawa Riku (2015) Kei Ichinoseki for Hanagami Sharaku and Kiyohiko Azuma for Yotsuba&! (2016) Fusako Kuramochi for Hana ni Somu (2017) Satoru Noda for Golden Kamuy (2018) Shinobu Arima for Jitterbug The Forties (2019) 2020s Kan Takahama for Nyx no Lantern (2020) Kazumi Yamashita for Land (2021) Uoto for Orb: On the Movements of the Earth (2022) Kiwa Irie for Yuria-sensei no Akai Ito (2023) Special
Award1990s Toshio Naiki (1997) Shotaro Ishinomori (1998) Fusanosuke Natsume (1999) 2000s Frederik L. Schodt (2000) Akira Maruyuma (2001) Shigeru Mizuki (2003) Tarō Minamoto (2004) Kawasaki City Museum (2005) Kousei Ono (2006) International Institute for Children's Literature, Osaka Prefecture (2008) 2010s Yoshihiro Yonezawa (2010) Weekly Shōnen Jump (2012) Fujiko Fujio (A) (2014) Chikako Mitsuhashi for Chiisana Koi no Monogatari (2015) Kyoto International Manga Museum (2016) Osamu Akimoto for Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo (2017) Tetsuya Chiba for Ashita no Joe (2018) Takao Saito for Golgo 13 (2019) 2020s Machiko Hasegawa for Sazae-san (2020) Koyoharu Gotouge for Demon Slayer: Kimetsu no Yaiba (2021) Kazuo Umezu for Zoku Shingo: Chiisana Robot Shingo Bijutsukan (2023) Award for
Excellence Moto Hagio for A Cruel God Reigns (1997) Yūji Aoki for Naniwa Kin'yūdō (1998) Akira Sasō for Shindō (1999) Minetarō Mochizuki for Dragon Head (2000) Kotobuki Shiriagari for Yajikita in Deep (2001) Kentaro Miura for Berserk (2002) Creative
Award Yumi Hotta and Takeshi Obata for Hikaru no Go (2003) Takashi Morimoto for Naniwadora ihon (2004) Fumiyo Kōno for Town of Evening Calm, Country of Cherry Blossoms (2005) Asa Higuchi for Big Windup! (2006) Nobuhisa Nozoe, Kazuhisa Iwata and Kyojin Ōnishi for Shinsei Kigeki (2007) Toranosuke Shimada for Träumerei (2008) New Artist
Prize Suehiro Maruo for The Strange Tale of Panorama Island (2009) Haruko Ichikawa for Mushi to Uta (2010) Hiromu Arakawa for Fullmetal Alchemist (2011) Yu Itō for Shut Hell (2012) Miki Yamamoto for Sunny Sunny Ann! (2013) Machiko Kyō for Mitsuami no Kami-sama (2014) Yoshitoki Ōima for A Silent Voice (2015) Yuki Andō for Machida-kun no Sekai (2016) Haruko Kumota for Descending Stories: Showa Genroku Rakugo Shinju (2017) Paru Itagaki for Beastars (2018) Sansuke Yamada for Areyo Hoshikuzu (2019) Rettō Tajima for Mizu wa Umi ni Mukatte Nagareru (2020) Kanehito Yamada and Tsukasa Abe for Frieren (2021) Natsuko Taniguchi for Kyōshitsu no Katasumi de Seishun wa Hajimaru and Konya Sukiyaki da yo (2022) Ganpu for Danchōtei Nichijō (2023) Short Story
Award Hisaichi Ishii for Gendai Shisō no Sōnanshātachi (2003) Risu Akizuki for OL Shinkaron (2004) Rieko Saibara for Jōkyō Monogatari and Mainichi Kaasan (2005) Risa Itō for One Woman, Two Cats, Hey Pitan!, Onna no Mado (2006) Hiromi Morishita for Ōsaka Hamlet (2007) Yumiko Ōshima for Cher Gou-Gou.
There’s a subtle yet worthwhile distinction to be made between something which is trite and something which is simply commonplace, and I think Sonny Boy has more than enough heart and soul in its creation to excuse any level of unoriginality you may perceive in its coming-of-age themes, and if you tried to call these audiovisuals anything close to lackluster, they’d scoff.
Thank you for reading. Reviewer’s Rating: 9 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by SingleH (90) Show allRead moreShow lessOpen Gift Report Sep 30, 2021 SunlitSonata Mixed Feelings Whenever you browse a seasonal chart, it’s inevitable the majority of shows will be adaptations. Manga, light novel, visual novel, video game, music CDs, etc. It’s just less of a hassle for studios to tackle media proven successful elsewhere, and these works often provide a very clear path to follow as far as where their stories are headed or what key moments should be highlighted for the maximum oomph. Anime originals don’t have that same expected trajectory. They’re closer to western cartoons, in that they mainly get made because their creator attained clout within the industry and then was given the space by a studio . to bring their new original animated concepts to life. This creative looseness can be a strength, avoiding publications that have specific molds they want to be filled for successful products, but it can just as often be an excuse to create something that wouldn’t easily find an audience within pre-established work.