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He quickly defeats Shen and is about to kill Fuuko when Shen summons the rest of the Roundtable. 9"Return"Shuntarō TozawaYamato HaijimaShuntarō Tozawa & Yuki YaseDecember 2, 2023 (2023-12-02) The Roundtable continue to fight Victor. Juiz orders Top to get Fuuko and Shen away from the fight. However, Fuuko convinces him to take her back there. To help her, Shen gives her Andy's card and a gun. Fuuko soon grabs onto Victor with her bare chest touching him, planning to hang on for as long as possible to trigger a massive stroke of Unluck while trying to talk Andy into coming back. The Roundtable move to protect Fuuko. Fuuko temporarily brings Andy back by shooting him and jamming her thumb in the open wound. Andy uses this opportunity to kiss Fuuko to trigger a massive Unluck that will destroy the town with a meteor swarm. The others escape the blast but Fuuko runs back into the crater to jam the card back into Andy's head. A week later, Fuuko wakes up in the Union's hospital where Andy has been watching over her.

2023 TALES OF DEMONS AND GODS Chapter 466. 1 21 hours ago Chapter 465. 5 05. 03. 2024 One Piece Chapter 1109 01. 03.

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"Japanese Comic Ranking, November 10–16". Anime News Network. Retrieved April 8, 2015. ^ Hanashiro, Emma (February 6, 2014). "Japan's Bookstore Employees Rank Top Manga of 2014". Anime News Network. December 3, 2023. Archived from the original on December 3, 2023. Retrieved December 3, 2023. ^ Pineda, Rafael (January 2, 2024). "Muse Asia Licenses My Instant Death Ability Is So Overpowered, Blue Exorcist: Shimane Illuminati Saga Anime". If you don’t believe me, just take a look at what happens to Tanjiro’s family. With such a tragic setup, the anime seeks to bring hope for Tanjiro and his journey to make things better for his only remaining family.
In remembering the past, Kimetsu no Yaiba is known for showing the importance of family. Known for showing rather than telling, it should be easy to see the close relationship Tanjiro has with his sister, mother, and father. Throughout the show, Tanjiro is also known for his duty to eliminate demons although he doesn’t truly hate all of them. Rather than having a black and white philosophy, he also feels sympathy for some of the demons he faces.
Rewatching the film even years later highlighted certain aspects that I had initially glossed over, not having already been acquainted with the story and characters. The hand that once tugged my heartstring no longer caught me by surprise, and the beats this film played to was a tune I had become familiar with. This was Grave of the Fireflies’ biggest weakness. For a film that enlightens more on a second viewing, loses what made it so special in the first place.
Looking at the film with a critical eye will surely find themes of morality at play but will also find them presented in ways visibly forced and heavy-handed. In a world where two children are just trying to survive in a country torn by war, there are so many instances shown in the film that could have saved both from their terrible ends. But the story will always take the worst option every single time to reach its miserable end, to the point where it’s no longer natural watching this play out. The film continuously tries to milk tears from the audience with a tragedy that constantly makes the worst decisions for its characters. It’s akin to piling tragic event on top of tragic event until we’re left with a mountain of depression, while my reaction moves from genuine sympathy to frustration and disappointment. We as viewers look at this film from the same perspective as Seita’s ghost, and while this does emphasize the meaning behind these moments, it essentially removes part of the deep emotion gained from the experience, causing the repetitive nature of these events to feel counterproductive. We see the storyline in full, from establishing its grieving tone to forcing Seita and Setsuko into the film’s personal martyrs.