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Retrieved October 15, 2022. ^ "Ragna Crimson, volume 11". Square Enix. Archived from the original on June 5, 2023. Retrieved June 5, 2023. ^ ラグナクリムゾン 12 (in Japanese). Square Enix. Archived from the original on May 31, 2023. Retrieved May 31, 2023. ^ "Ragna Crimson, volume 12". Square Enix.

Ippo blocked the jabs until he got close to Wally, but he was unable to hit him as Wally evaded the attack. Ippo motioned a bob and weave motion, dodging more Flicker Jabs and then trapping Wally into a corner by using a zigzag strategy, however, the second round ended right as Ippo got Wally into a corner. In his corner, Ippo informed Kamogawa of his prediction that Wally will be pushed into the red corner, as he noticed a habit of Wally's, that he always jumps to the right. Ippo witnessing Wally's rope technique. In the third round, Ippo went through with his plan to trap Wally into a corner. When Ippo got Wally to jump right into the corner, he was surprised when Wally did not appear in the corner, as Wally grabbed onto the ropes and flung himself behind Ippo, hitting him. Seeing it a second time caused Ippo to panic and get hit. Ippo was unable to get him into the corner for some time as Wally's movements proved to be unpredictable and he was getting hit by unorthodox punches at the same time. Ippo managed to get him into the corner after throwing a big swing while Wally was at the ropes. However, Ippo's punches were swiftly dodged at the corner and Ippo was hit by a counter that caused him to stare blankly and almost fell before catching himself. With Ippo at the corner, Ippo threw a punch at a charging Wally's guard, pushing him back, with the momentum almost causing Ippo to fall.

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She happily accepts and shows off several poses before landing on a martial arts pose that Senpai is impressed at. Once complete her friends enter and comment on the pose, asking if Nagatoto was willing to "try again". When Senpai asks about what they meant, Nagatoto quickly leaves the room saying that she won't tell him. Gamo and Yosshii tell him that he should bulk up and train at Gamo's gym making sure to tell him to go at a time when Nagatoro would be there. Once there he asks her to train him in Judo and she accepts. After making the mistake of calling her heavy when she pinned him down, Nagatoro goes back to sparring with Gamo and, despite being smaller, is able to throw her to the ground. On the way home she explains that in Judo she would have won with that throw, but MMA has different rules so she still lost. As she starts to go her separate way home, Senpai tells her that he thought her throw was beautiful, which makes her happy and embarrassed as she turns away and runs home. 219"That Is, If You Win at Least Once, Senpai"
Transliteration: "Senpai ga Isshō Demo Dekitara. Unlike yaoi, where explicit depictions of sexual acts are commonplace and stories typically climax with the central couple engaging in anal intercourse, sexual acts in yuri are rarely more explicit than kissing and the caressing of breasts. [30] Kazumi Nagaike of Oita University argues that this general avoidance of sex "does not mean that female sexual desire is effaced" in yuri, but rather that the absence of sex "clearly derives from the importance which is placed on the spiritual female-female bond. "[30] "Crimson Rose and Candy Girl"[edit] The majority of yuri stories published in the 1970s and 1980s were tragedies, focused on doomed relationships that end in separation or death (see History above). [37] Yukari Fujimoto, a manga scholar at Meiji University, notes that the tragic plot of Shiroi Heya no Futari became a common yuri story archetype that she dubs "Crimson Rose and Candy Girl". These stories depict "Candy", a physically smaller character with lighter hair and a naive personality, who admires "Rose", who is generally taller, with long dark hair and a serious demeanor. [37] The characters bond over a common unhappiness, usually originating from their respective home lives.