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In Round 29, in Ippo's bedroom, there is a Mike Tyson poster on his wall. In Round 5, while he was shopping for new boxing shoes at Ōta Sports, Ippo mentioned to Miyata that his shoe size is 25. 5 cm (10 in). Ippo is a terrible driver, though he can steer a boat just fine. He's also awful at baseball and editing manga, and has never been shown catching a fish, though he has been shown fishing numerous times. In Chapter 1158, it's revealed that Ippo is an expert at bowling.

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Including, but not limited to:
The characters aren’t developed and act nonsensically at times, like when an entire family barely flinches in response to their relative getting killed after being revealed as a murderer.
The dialogue often exists to dump plot points on the audience with no regard for how natural it is to actually say those things at the moment.
Old-timey murder mystery cliches, like telling a person’s entire life story based on the stains on their clothes, are mindlessly reproduced without anything meaningful done with them.
An abject failure of the murder mystery element, it’s full of contrivances and plot convenience. It even commits the biggest sin of detective fiction: not telling the audience all the information necessary to solve the case. For example, the circumstances of one murder depend on the mansion’s layout - a layout that wasn’t actually shown at any point before the reveal.
Every single memetic XIX-century character (Sherlock Holmes, etc. ) in existence is vomited into the same story arc with no sense of restraint.
Gratuitous battle shonen cliches, a character can’t just be a demon slayer by himself, he has to be a member of a special Demon Slayer Corps full of nakamatachi with distinct silhouettes straight from Kimetsu no Yaiba. The series gets progressively more battle-shonen-esque as it goes.
The direction of the adaptation weirdly parallels the writing. [62][63][64] The posthumous 364th chapter of Berserk was published in Young Animal on September 10 of the same year, which was Miura's last work, and members of Miura's Studio Gaga, which consisted of him and his group of assistants and apprentices,[65][b] worked to finish the manuscript of the chapter. [67] The magazine's issue was a "memorial" to Miura, featuring a special "Messages to Kentarou Miura" booklet and a poster of "famous scenes" from the manga. [68][69] In the same issue, Hakusensha stated that the future of the series remained uncertain and that the staff's priority would "always be placed on him—what he would think if he were still with us. "[70][67] The afterword in the manga's 41st volume (released in December 2021) from Young Animal's editorial staff stated that the future of the manga was still undecided. [71] On June 7, 2022, Hakusensha and Kouji Mori [ja] announced that the series would continue publication, using plans and thoughts that were relayed to Mori by Miura himself, as well as memorandums and character designs that Miura left behind. [72] Mori related how he had visited Miura nearly 30 years ago when the latter was drawing "the Eclipse" event of Berserk and how his friend completed the storyline for the manga up to its last chapter that week.
Ueno watches Shoya becoming a loner throughout middle school and believes their sadness, from her having to cut off contact with Shoya to him hating everyone, including her, has all been because of Shoko. She runs into Shoya years later and tries to reintroduce him to past classmates. Ueno has a crush on Shoya, when they were children, which cause her to become jealous and resentful towards Shouko. Despite being within the group of friends, Shoya still does not trust her until after his release from the hospital, when she finally apologizes to him for all she did wrong. After graduation, Ueno is dragged by Sahara to become her assistant as a model. By the epilogue, it is shown that her time in Tokyo has somewhat diminished her mean personality, though it still exists.