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Characters[edit] Sunraku (サンラク, Sanraku) / Rakurō Hizutome (陽務 楽郎, Hizutome Rakurō) Voiced by: Yuma Uchida[2] (Japanese); Eric Vale[3] (English) Psyger-0 (サイガ-0, Saiga Zero) / Rei Saiga (斎賀 玲, Saiga Rei) Voiced by: Azumi Waki[2] (Japanese); Corey Pettit[3] (English) Arthur Pencilgon (アーサー・ペンシルゴン, Āsā Penshirugon) / Towa Amane (天音 永遠, Amane Towa) Voiced by: Yoko Hikasa[2] (Japanese); Brianna Roberts[4] (English) Oikatzo (オイカッツォ, Oikattso) / Kei Uomi (魚臣 慧, Uomi Kei) Voiced by: Makoto Koichi[2] (Japanese); Brittney Karbowski[4] (English) Emul (エムル, Emuru) Voiced by: Rina Hidaka[2] (Japanese); Molly Zhang[3] (English) Vysache (ヴァイスアッシュ, Vaisuasshu) Voiced by: Akio Otsuka[2] (Japanese); Christopher Guerrero[4] (English) Psyger-100 (サイガ-100, Saiga Handoreddo)[5] / Momo Saiga (斎賀 百, Saiga Momo) Voiced by: Yumiri Hanamori[6] (Japanese); Morgan Berry[4] (English) Animalia (アニマリア, Animaria) Voiced by: Sayaka Senbongi[6] (Japanese); Kelsey Maher[4] (English) Orcelott (オルスロット, Orusurotto) Voiced by: Seiichiro Yamashita[6] (Japanese); Sonny Strait[4] (English) Bilac (ビィラック, Byirakku) Voiced by: Miyu Tomita[7] (Japanese); Lindsay Seidel[4] (English) Peatz (ピーツ, Pītsu) Voiced by: Satsumi Matsuda[8] Setsuna Amatsuki / Setsuna of Bygone Days (遠き日のセツナ, Tōki Hi no Setsuna) Voiced by: Asami Seto[9] Wethermon the Tombguard (墓守のウェザエモン, Hakamori no Wezaemon) Voiced by: Show Hayami[9] (Japanese); Bradley Gareth[4] (English) Tsukuyo Tsukuri (継久理 創世, Tsukuri Tsukuyo) Voiced by: Ami Koshimizu[10] Ritsu Amachi (天地 律, Amachi Ritsu) Voiced by: Kaori Nazuka[10] Sakai Tsukuyogi (木兎夜枝 境, Tsukuyogi Sakai) Voiced by: Kenji Nojima[10] Production[edit] The author Katarina read The Irregular at Magic High School on Shōsetsuka ni Narō while living overseas. He found the novel interesting and therefore started to think of writing novels. At that time, reincarnation-type stories were popular in that website and there was a period that he read only fantasy stories. However, he once read a virtual reality-type story and found it very amazing. Inspired by that work, he started writing Shangri-La Frontier. [11] The anime project was proposed in February 2020, which was before the serialization of the manga series.

Sailor Moon Channel. Archived from the original on August 6, 2007. Retrieved October 20, 2016. ^ "Sailormoon. Channel – Sailor Moon Live Action TV Corner" 「美少女戦士セーラームーン」 (in Japanese). Archived from the original on June 17, 2007. Retrieved October 20, 2016. ^ Mays, Jonathon (April 6, 2004). "Pretty Guardian Sailor Moon – Review". Anime News Network. Archived from the original on April 29, 2009.

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Retrieved December 5, 2019. ^ a b c d "The birth of "Demon Slayer: Kimetsu no Yaiba"". Manga Plus. Shueisha. Archived from the original on February 11, 2020. Retrieved February 23, 2020. ^ Na, Geum-joo (February 28, 2020). "'이태원 클라쓰' 박서준·김혜은, 유재명 미행 사실 알았다". Xports News (in Korean). Retrieved February 29, 2020. ^ Kim, Na-kyung (February 23, 2020). Then we have the OPs and EDs. I hate them all to varying degrees. The vocals in all of them are unbelievably grating, especially the first OP, which is probably one of my most hated anime songs of all time, let alone this year. The second OP is probably the most disappointing, as it starts off with a kickass grunge-like guitar solo for about 6 seconds before completely shifting gears and eventually succumbing to the problem of bad vocals. Unlike the EDs, the OPs stick, but it’s not out of me finding any appeal in them.
I expected Dororo would lose steam eventually given what I had heard, but I wasn’t prepared for how the show ultimately became less than the sum of its parts. Apart from a few specific complaints, both the overarching narrative and the episodic and bi-episodic narratives are fine. It’s just that anything potentially interesting or emotionally resonant is completely undermined by a lack of cohesion between these two elements and how little impact anything seems to have. The characters certainly don’t help, as those that aren’t shallow archetypes aren’t handled with enough care for their plights to matter. The inconsistent spectacles aren’t enough to carry a show that feels so bog-standard and at-odds with itself. As a result, I largely stopped caring after a while, and that’s one of the worst feelings a promising show can inflict.