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[265] Sean Gaffney from A Case Suitable for Treatment referred to the art as "smooth" and complemented how it flows with the action. Gaffney also praised the story, characters, and fight scenes, stating that the story flows
nicely with each of their individual personalities, while the fight scenes look smooth and non-confusing. [266] In a review of the second
volume, Leroy Douresseaux from Comic Book Bin also praised the story, specifically the way it tells comedy and drama. He also compared the series to the other superhero works like Tiger & Bunny and One-Punch Man, stating that My Hero Academia proves that "manga can do superhero comic books that are every bit as imaginative as American superhero comics". [267] Manga Bookshelf praised the first volume for its art, saying that it demonstrated Horikoshi's skill very well, though criticizing it for having too much narration at some points. [268] Reviewing volumes 1 to 19, Michelle Smith from Soliloquy in Blue called the plot "very good", but also stated that the main reason she liked the series was the characters, specifically praising most of the main cast.
[64] Igarashi noted that Legends conflicted with the plotline of the series, and that the reason for Circle of the Moon's removal was not due to his non-involvement with the game, but instead the intention of the game's development team for Circle of the Moon to be a stand-alone title. [65] The American 20th Anniversary Pre-order Bundle for Portrait of Ruin in 2006 featured a poster with a timeline that re-included the games other than Legends. [42] In 2007, Konami still excluded them from the canon on the official Japanese website. [41] Igarashi has said that he considered the
titles a "subseries". [66] Development[edit] Being
aware of the horror movies from long ago (long before the slasher flicks), I wanted the players to feel like they were in a classic horror movie. —Hitoshi Akamatsu, 1993[49] Castlevania was directed and programmed by Hitoshi Akamatsu for the Family Computer Disk System in 1986. [67][1] The game's staff roll features names taken from horror film icons, with Akamatsu being credited as 'Trans Fishers', a reference to film director Terence Fisher. [68] This is possibly because Konami did not allow the use of real names at the time in order to prevent other companies from hiring people who worked for them. [68][69] An admirer of cinema, Akamatsu approached projects with a "film director's eye", and said the visuals and music for Castlevania were "made by people who consciously wanted to do something cinematic. "[1] The protagonist Simon Belmont uses a whip because Akamatsu liked the mechanics of a weapon able to repel enemies, and also because Akamatsu was a fan of Raiders of the Lost Ark. [1] After the success of Castlevania, it was released in cartridge format for the Nintendo Entertainment System (NES) as one of its first major platform games.
