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Short Summary[] The Pacifistas Mk III begin attacking the Marines, on Atlas' orders, while Sanji locates Bonney and goes to her aid. Kizaru leaves to eliminate Vegapunk, with Luffy in pursuit. St. Saturn takes action and orders the Pacifistas to stand down. Kizaru stops Vegapunk's group from escaping, but Luffy arrives and knocks him out just as Luffy reaches his own limit. Just as Saturn confronts Vegapunk's group, an angry Bonney stabs him. Long Summary[] Thanks to Atlas, the Pacifistas begin attacking the Marines. Dr. Vegapunk's group continue to make their way down to the Fabiriophase and Sanji detects Bonney's location. Immediately Sanji makes his way to her location as she gets attacked by a Vice Admiral. She pulls out a gun and uses a move called NDE (Near Death Experience) to trick the Marines attacking her to think that they have died when in reality the shock has knocked them out.[29] The 1950s saw a proliferation of short, animated advertisements created for television. [30] Modern era Frame from the opening sequence of Tezuka's 1963 TV series Astro Boy In the 1960s, manga artist and animator Osamu Tezuka adapted and simplified Disney animation techniques to reduce costs and limit frame counts in his productions. [31] Originally intended as temporary measures to allow him to produce material on a tight schedule with inexperienced staff, many of his limited animation practices came to define the medium's style. [32] Three Tales (1960) was the first anime film broadcast on television;[33] the first anime television series was Instant History (1961–64). [34] An early and influential success was Astro Boy (1963–66), a television series directed by Tezuka based on his manga of the same name. Many animators at Tezuka's Mushi Production later established major anime studios (including Madhouse, Sunrise, and Pierrot). The 1970s saw growth in the popularity of manga, many of which were later animated. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre. [35] Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades. [36] The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988).
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