and you thought there is never a girl online
The majority of the budget went into eyes and fanservice. The characters' eyes always seem to shine bright with vibrant splotches of color. While high in detail, the focus on irises makes everything else seem lazily designed in comparison. The only exception to this is when a character is used for fanservice appeal. During these sacred moments, the characters' bodies suddenly gain a ton of depth, shading, curves, and enlarged breasts (unless they're male, in which case they become overly muscular instead). Hallelujah for these ecchi scenes, am I right!? Seriously though, if the animation quality was consistently like the short and almost always unnecessary fanservice scenes, then I would have been really impressed with the show's visuals.
Don't get me wrong, I didn't despise Classroom of the Elite or anything. I was just disappointed by the show's laid back attitude. Everything felt anticlimactic or unnecessary and it seemed like the creators were too afraid to take any risks and instead chose the safe and easy path. And in
doing so, Classroom of the Elite became yet another mediocre anime that will
certainly be forgotten by most as time goes by. Reviewer’s Rating: 4 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by HellLyter (74) Show allRead moreShow lessOpen Gift Report
More stacksInterest Stacks Male MC Only (Isekai & more).
It credits Watanabe as a consultant and welcomes back Kanno to helm the score—her return is arguably the adaptation’s strongest selling point to existing fans. Here’s everything to know about the original Cowboy Bebop before you watch the Netflix adaptation. Cowboy Bebop‘s dark tone led to some bumpy beginningsWatanabe, who was working at the animation studio Sunrise, made his solo directorial debut with Cowboy Bebop in 1998. The
series was originally envisioned as a project that would sell toys, through a sponsorship from Japanese company Bandai. In an interview with Otaquest from 2017, Watanabe described Bandai’s toy division as having shown interest in
something with spaceships as its core. “They thought both the series and affiliated merchandise would sell well,” the director said. “That’s why the offering of my ‘Bebop’ project was taken. ”But Bandai pulled the sponsorship when the initial episodes were produced. “They didn’t think such a dark and subdued portrayal of spacecrafts would do any favors to their toy sales,” Watanabe said. While Cowboy Bebop has its comedic moments, the show abounds with violence and interrogates concepts like existentialism and fatalism—not exactly the most marketable material for toy makers. After a separate subsidiary of Bandai stepped in, the project was allowed to continue without a connection to toys.
ISBN 1-4215-0026-4. ^ Togashi,
Yoshihiro (March 2010).
Chapter Index. YuYu Hakusho. Vol. 19.
