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Following Kurumada's storylines from the manga closely, the chief scriptwriters were Takao Koyama (1–73) and Yoshiyuki Suga (74–114). The series has three main parts: Sanctuary (episodes 1–73), Asgard, an anime original story arc (episodes 74–99), and Poseidon (episodes 100–114). The series was cancelled and left unfinished in 1989, leaving one arc of the manga not animated, until finally being adapted into a series of OVAs in 2002. [44] The series one-hundred fourteen episodes was re-released in Japan on two Blu-ray box sets on June 20 and September 24, 2014. [45] The series was re-broadcast on TV Asahi in 2015. [46] After Japan, Saint Seiya was first broadcast in France in 1988 on TF1's Club Dorothée [fr], under the title Les Chevaliers du Zodiaque (which inspired the title in other language versions),[5][47] and the series became quickly popular. [48][5][49] The series was broadcast throughout Asia, Europe and Latin America, where it was a success as well. [50][51][52] In North America, the series was first licensed by DIC Entertainment, under the title Knights of the Zodiac, in 2003. [53][54] The DIC version was edited for broadcast, cutting overly violent scenes, coloring the red blood to blue, adding in previously non-existent digital scene transitions, rewriting the scripts, renaming several characters and replacing the music themes and the original soundtrack. [55][56][57][58] This version premiered in the United States on Cartoon Network on August 30, 2003,[59] and in Canada on YTV on September 5 of the same year. [60] Unlike other territories, Saint Seiya did not succeed in North America,[58][61] and DIC only dubbed forty episodes.

^ "Grandma Madea Fights Off Bruce Willis, Holds Box Office #1". MTV News. March 6, 2006. Retrieved March 12, 2006. ^ Greenblatt, Leah (October 20, 2006). "The High Road Review". Entertainment Weekly. Archived from the original on December 26, 2013. Retrieved January 18, 2014. ^ "Diddy Scores First No. 1 Album in Nine Years".

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Since he found the artwork of the anime too detailed, he noted designer Takahiko Abiru was put through some challenges to replicate. Art director Yūsuke Takeda was requested by Yabuta to give both backgrounds and designs strong presences. The Viking ships were also found challenging as the team had to 3D CGI animation. [5] Ever since reading the manga's first chapter, Seko was impressed by Makoto Yukimura's storytelling to the point of considering it one of his three favorites. Nevertheless, Seko mentioned the anime would make its own take when premiering; Yukimura's take on Thorfinn's growth is different from the one of the anime version as the manga stars as a flashback while the anime's take is direct. Yabuta wanted to focus more on Thorfinn's upbringing in Iceland rather than the Vikings to show more his origins. With the need of animating several fight scenes, the team used 3D CG with the action and camerawork as a set, leaving to the rest animators animate it. Yabuta put a "slight spin" on the methods he had used previously as a 3D director and tried applying them to the action scene. In retrospect, the fight scenes were difficult to animate as Yabuta got tired of making several storyboards. [6] In episode six, the staff revealed the process of how Thorfinn gained the ability to fight as well as his internal feelings in East Anglia. The staff thought the scene showed him truly stepping into the world of battle as part of Askeladd's band, showing his transformation into a warrior. But then Baki collapses from fatigue. Andou brings him inside. Baki during his battle with Yasha-Zaru. Then the scene cuts to Baki in the water of a river refreshing himself. Baki looks up and sees an old tree and rushes through the forest to see it. When he gets there he meets with Andou again and Ando explains the history behind the tree. Later that night Andou and Baki sit down to eat dinner. After dinner Baki asks Andou for a favor, to let him camp on Yasha creek where the Yasha Ape has been seen to roam around. Andou is shocked he tells Baki that he shouldn't go there, it's suicide. Andou continues to explain that the Yasha Ape is no mere monkey, it's a monster that destroys all who oppose it, except for one man - Baki's father. He is the only man to have ever fought the beast and live and even then he still took major damage.