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"My Hero Academia Ranks #2 on U. S. Monthly Bookscan February List". Anime News Network. Archived from the original on July 8, 2022. Retrieved March 9, 2020. ^ Kim, Na-kyung (March 14, 2020). "이태원 클라쓰 OST Part. 13 데이먼 – Brand New Way". The Korea Economic Daily (in Korean). Retrieved March 14, 2020.

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That pang in the back of your head that tells you this is kinda overkill isn't "just you. " Deep down you know what you're seeing is over exaggerated, and after time has settled and you reminisce about key events, that would become clearer than ever. Re:Zero is a novelty act that blinds you with flurries of action and plot twists, but the moments the spectacle is over, what would remain is the realization that what you held dear was nothing more than snake oil sold by a quick-witted businessman.
Even things like auditory cues can't help but feel like the show signaling excessively to get your attention, an example being a high pitched hum, like angelic beings from a choir taking a laxative-laced shit. It could be seen as "chilling" to some, or you could be like me and think it's the angels of heaven passing a kidney stone in orchestic unison. Point being it's played only to signal a disturbance. And seeing that the show is all about disturbances, it just ends up exacerbating a problem that didn't need any more highlighting than it was already getting.
What needed more attention, however, were the characters and environment that the story took place in. For a show that's supposed to be genre defining, it does very little to prove it.
We get characters whose defining personality trait is being a loli with a speaking habit, I suppose. Beatrice and the rest of the loli cast could fuck off, I suppose. Retrieved January 19, 2022. ^ Goslin, Austen (February 9, 2022). "Attack on Titan Final Season Part 1 wins top prize at Crunchyroll's Anime Awards". Polygon. Archived from the original on March 8, 2022. Retrieved February 9, 2022. ^ アニメーション・アルバム・オブ・ザ・イヤー | 第36回日本ゴールドディスク大賞|THE GOLD DISC (in Japanese). Japan Gold Disc Award. Archived from the original on March 13, 2022. Retrieved March 18, 2022. ^ "40th JASRAC Awards".
Honorific suffixes also indicate the speaker's level and refer an individual's relationship and are often used alongside other components of Japanese honorific speech. [1] Honorific suffixes are generally used when referring to the person one is talking to or unrelated people and are not used when referring to oneself. The omission of suffixes implies a high degree of intimacy or close friendship. Common honorifics[edit] The most common honorifics include: Honorific Approximate English equivalent Used for San (さん) Mr. / Ms. Adults of equal status, informally and formally Sama (様、さま) Sir / Ma'am
Dear customer (o-kyaku-sama)
Ladies and Gentlemen (mina-sama)
Your Honor (judges)
Your Lordship/Your Ladyship (judges of higher courts)
Your Grace / Your Reverend / Your Eminence / Your Holiness (religious authorities)
Your Omnipotence (deities) People of higher status (including deities, guests, customers) Kun (君【くん】) Master Kun is a semi-formal title for a man—primarily men younger or the same age as the speaker. Chan (ちゃん) Little. Most frequently used for girls and small children, close friends, or lovers. Occasionally may be used to refer to a boy, but in most situations would be inappropriate.