انمي سلاير اخر اصدار
When Sasuke visited Paradise under the pretence of being a customer, Boruto recognised Tentō in a photo, lending credence to their claim. When their leader Mozu Shitakiri admitted to being interested in the Senri Hawks, Boruto accused her of attacking Maruta's facility, though she pointed out they had no evidence. Mozu ordered them to leave, and gave them a warning to pass along to Maruta. The next day, while Maruta took Sasuke to the hawk habitat, Boruto stayed behind and ended up befriending Mozu's son Tsuzura, who was trying to readjust Yuki a rare white hawk to hunt in the wild. He offered to help, getting a book hawk rearing from Maruta's facility, and reading to him upon learning that Tsuzura's mother refused to teach him to read. Boruto began teaching him to read and write, and the two exchanged messages
through Yuki. The next day, he continued helping Tsuzura, but was discovered by Mozu, who blamed him for putting ideas on his head, and whose underling threatened to arrest Boruto. Tsuzura left with Mozu to spare Boruto. Boruto is captured and confined. When Sasuke and Maruta returned, Boruto informed them of Tsuzura's situation, hoping to interfere, but Sasuke refused despite having his own opinions about Paradise. The next day, upon leaning that Yuki would be sold to a taxidermist, Boruto
rushed back, arriving in time to protect Tsuzura, who tried to flee with Yuki, from the security officer.
Hatred was necessary for the story to continue, but not so much rape itself. My guess is the author chose that route because other fantasy series such as Re:Zero have already done the same with violence alone. The author
wanted to set their series apart, to invoke a sort of hatred that anime-only viewers have rarely or perhaps never experienced before, and, well, the result of that is laid bare for all to see: angry westerners, and
Japanese fans who just want to see some dead-ass goblins.
It is not so much from an artistic perspective that I am defending the author's choice, however. Gratuitous and pretentious, it is, when what follows in the later episodes is of little importance and does not in any meaningful way make use of the hatred instilled in the audience. Rather, it returns to the exact same silly and carefree tone of the anime's opening few minutes, as if it what happened in the first episode was just some sort of dream.
Natalie (in Japanese). May 27, 2015. Archived from the
original on
December 21, 2018. Retrieved May 23, 2016. ^ a b 「リゼロ」コミカライズ第三章が完結、第四章も相川有と花鶏ハルノのタッグで始動. Comic Natalie (in Japanese).
