hometown cha-cha-cha fin
Most bootlegs use tiny ROM chips that occupy only the middle of the slot. Above all, if the cartridge looks like a mess inside, it's likely a bootleg. Jackpot. Metal Slug came out in
1996 and proved to be a hit with fans. In terms of the number of good games published in a single year, 1996 was the year of record for SNK. King of Fighters '96, Real Bout Fatal Fury, and Samurai Shodown IV were sucking down quarters in the arcades, which in turn sparked a modest resurgence in the sales of AES consoles and cartridges. 1996 is also the same year that Metal Slug came to the NeoGeo. Unlike the fighting games that were so typical of the MVS/AES, Metal Slug was a side-scrolling platform game with a military theme and a hilarious cartoon style that proved popular to a decidedly wide audience. After purchasing Nazca, the game's
original developer, SNK would go on to publish four more Metal Slug sequels. (All but one Metal Slug game was published by SNK. Metal Slug 4 was
developed and published by Mega Enterprises in 2002 during SNK's "dark period," which will be covered later on in this feature).
This is where we met joker-inflatable-tube-man, who proceeded to break Rem's neck and limbs, and yet, somehow, she crawls over to Suburu and uses magic to free him. and this is supposed to be tragic? Nothing about this moment makes any sense whatsoever. And to top it off, it also demonstrates a moment where the writers switch Suburu's mental breakdown on and off whenever it suits the story. This isn't some "deep" moment; it's bullshit.
Re:Zero
doesn't know the difference between mental anguish and parading characters around for personal amusement, nor does it understand that tossing ideas and lifting entire passages from other folktales don't mean it would work as a cohesive piece. There's a reason there's no cohesiveness between arcs; all it does is pattern storylines from works that preceeded it. A fairy tale whose identity can't exist without leaching off of others, and whose attempts at something different result in the aforementioned problems.
*******end of spoilers*******
When Hayao Miyazaki said that people "don't spend time watching real people" with industry, in-house anime creators being "humans who can't stand looking at other humans,” this is what he's referring to: shows that can't find inspiration outside of their own anime tropes because the people working on them don't see anything
beyond anime. Re:Zero is a self-indulging anime with no worldly influence to speak of.
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