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^ Ressler, Karen (March 11, 2015). "North American Anime, Manga Releases, March 8–14". Anime News Network. Archived from the original on March 6, 2022. Retrieved March 6, 2022. ^ Nelkin, Sarah (April 28, 2015).

They escape from Gluttony's stomach after he takes Alphonse to meet Father, who makes Lin the vessel of Greed. Mustang tries to expose Bradley to the government but finds that the higher officials are complicit in Father's plans. The Elrics and Mustang are released, but warned not to oppose Father, who seeks to use them as "human sacrifices". Meanwhile, Scar heads north with the Xingese princess May Chang, former corrupt official Yoki, and a kidnapped Dr. Marcoh. The Elrics head north as well, and reach Fort Briggs, commanded by General Olivier Armstrong. They confront the homunculus Sloth and learn that Father founded Amestris to amass enough population to create a massive Philosopher's Stone. With it, he can achieve godhood by absorbing the being beyond the Gate of Truth on the "Promised Day". Forced to work with Solf Kimblee, a murderous former State Alchemist and ally of the Homunculi, the Elrics turn on him and split up, joined by a reformed Scar, his group, Kimblee's chimera subordinates, and later Lin/Greed. Riza Hawkeye discovers that King Bradley's son Selim is the homunculus Pride. Hohenheim reveals that he was made an immortal when Father arranged the fall of Cselkcess four centuries ago and had been working since then to stop Father.

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[12] The most notable hyper-feminine features of the Sailor Guardians—and most other females in Japanese girls' comics—are the girls' thin bodies, long legs, and, in particular, round, orb-like eyes. [12] Eyes are commonly known as the primal source within characters where emotion is evoked—sensitive characters have larger eyes than insensitive ones. [167] The stereotypical role of women in Japanese culture is to undertake romantic and loving feelings;[12] therefore, the prevalence of hyper-feminine qualities like the openness of the female eye in Japanese girls' comics is clearly exhibited in Sailor Moon. Thus, Sailor Moon emphasizes a type of feminist model by combining traditional masculine action with traditional female affection and sexuality through the Sailor Guardians. [167] Merchandise[edit] Since the early 2000s, Toei Animation has collaborated with various different brands to create merchandise outside of children's demographic. [168] On February 20, 2020, ColourPop released a Sailor Moon inspired makeup collection. [169] Celebrating the 25th anniversary of Sailor Moon in the U. S. , streetwear brand KITH released clothing like hoodies and t-shirts with Sailor Moon graphics on them. [170] In honor of Sailor Moon's 30th anniversary, brands like Sanrio, Uniqlo, and Maison de FLEUR announced a collaboration in January 2022. [171][172][173] References[edit] ^ a b Takeuchi, Naoko (1994). Archived from the original on November 4, 2020. Retrieved January 11, 2012. ^ "Yu Yu Hakusho: Eizou Hakusho OVA". Amazon. Archived from the original on October 12, 2021. Retrieved September 10, 2011. ^ "'Yu Yu Hakusho' Anniversary BD to Include New Animation". Crunchyroll. Archived from the original on January 25, 2021. Retrieved January 25, 2018. ^ Pineda, Rafael.
Naruto was instantly grabbing your attention because he was very sad on the swing, and Deku did the same by crying after being bullied and was told he will never become a hero. There is no such thing here. And it doesn’t help how passive they are the whole time. They fool around, then a mission happens, and they go to the mission. Their motivations don’t play a part in the plot in the least. Special mention must be made for the female characters, which are often praised for not existing as fan service and for being strong and independent.