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Anime News Network. Archived from the original on February 9, 2010. Retrieved January 2, 2010. ^ a b Divers, Allen (February 18, 2004). "Yu Yu Hakusho DVD - Review". Anime News Network.

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It does a huge disservice to your greats like Kagawa and that legendary Japanese midfielder that people get disappointed when they pack in Fifa. These midfield Maestros are some of your greats, why would you think to disrespect them by saying strikers are the most important position. Take some time to look back at the past few world cups, was Giroud the main reason France won the world cup in 2018? How about Spain’s 4-6-0 formation where they fielded 0 strikers and won the world cup in 2010? It’s just this cringey decadent idea that strikers are the most important part that I just know comes from a place to get impressionable children riled up for your show. Frankly, it’s dishonest and insulting.
Another crucial problem with only having strikers is, you only have a limited amount of qualities and unique skills to give around where players can excel at: Pace, finishing, hold-up play, off the ball movement, spatial awareness to name the key ones. And evidently, they’re exhausted pretty quickly. What you’re then left with are pure power upgrades that I really dislike. Where it’s this childish one-upping of “I read his play”, “I read his reading of my play”, “I can jump higher than you”, “I can run faster than you”. It’s just not fun to watch from a tactical and footballing standpoint. And deep down, Blue Lock knows this, so what do they do? They decide to introduce imaginary monsters. Yes you heard me right. The pieces were there, and the writer and the staff behind the anime demonstrated that they had the talent to execute things in an effective and honest way. The music is excellent, complimenting Subaru's struggles without ever going overboard in sappy piano pieces and cacophonous orchestral pieces as many shows of its type tend to. Its visuals look totally fine, maintaining a consistent quality despite the longer-than-average episode count and abundant battle scenes, while the facial expressions, if occasionally a bit excessive, are undeniably effective at demonstrating the characters' pain and anguish. Re:Zero is very much a well-produced anime; you can tell that the people at White Fox truly wanted to create something special.
I think this is why, even if I was bothered by most of the things I witnessed during my viewing of Re:Zero, I don't think it is a truly awful anime. It may not be a good one, not by any means-- its mistakes cannot be so easily erased-- but I do think its consistent effort and its eighteenth episode do at least redeem it to the extent of being a passable anime. It's why you see me giving Re:Zero a mediocre rating in my review rather than a poor one. I dislike much about Re:Zero, but for that one episode, I was a fan.
I have a feeling I am in the minority here, as opinions on Re:Zero almost seem to be split into a dichotomy. It is the best anime ever made for some, a life-changing adventure packed with emotion, and for the rest, it is a pile of irredeemable refuse aimed at the lowest-common denominator. To be perfectly fair, I am far more critical of Re:Zero than I am supportive of it.