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Dialogue-heavy shows can be a slog, but this anime certainly manages to capture your attention without being boring, to the extent of each episode flying by in a matter of what you think were just a few minutes. The characters command each scene very well, and the voice actors are certainly to be praised, especially the two main characters in Tsugaru Shinuchi, and Aya Rindou, voiced by Taku Yashiro and Tomoyo Kurosawa, respectively. Tsugaru kept my attention because of his cheeky personality, often making fun of his partner Aya, as well as not taking things too seriously. His humour is witty, perhaps corny, but he definitely made me laugh quite a few times. Aya commanded each scene so well despite only being a head in a cage. Who needs a body after all? Her voice actor, Tomoyo Kurosawa, really nailed the role, as she had such a presence in each scene she was in, with her deduction skills and her tone of voice that captured every bit of my attention. The duo’s dynamic is in my opinion, the best part of the anime, as it brings forth such contagious eccentricity and energy that sucks you into the world around them.
Another main positive about this show was definitely the directing prowess of Shinichi Omata, who previously directed Kaguya-sama: Love is War, and Showa Genroku Rakugo Shinjuu, coming into play once again. The whole show feels like a stage play, with the characters feeling like actors, the dialogue bouncing off each character with such ease, the general flow of the story just so fantastic. The art and animation itself isn’t particularly pretty, and I suspect the budget for this show wasn’t huge at all, but Omata’s directing really elevated the show’s quality to greater heights, as there’s just a distinct uniqueness about how the show looks. The camera work and the storyboarding really embodied a style that felt “extravagant”, suiting the show’s setting very well.

^ a b c "New Berserk TV Anime's Cast, Staff, July Premiere Unveiled". Anime News Network. 22 March 2016. Archived from the original on 24 March 2016. Retrieved 26 March 2016. ^ Green, Scott (10 June 2016). "Bloody, Shirtless Guts, Scourging And More Featured In Latest "Berserk" Anime Preview". Crunchyroll. Archived from the original on 11 June 2016. Retrieved 10 June 2016. ^ a b "Berserk TV Anime's Teaser Video Previews 9mm Parabellum Bullet's Theme Song".

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The first, Musical Hunter × Hunter (ミュージカル ハンター×ハンター), was originally performed during December 2000. [118] It is an original story that appears to take place between the end of the Yorknew City story arc and the beginning of the Greed Island arc. The second, Musical Hunter × Hunter: The Nightmare of Zoldyck (ミュージカル ハンター×ハンター ナイトメア・オブ・ゾルディック), was originally performed during August 2002. [118] It is a retelling of when Kurapika, Leorio, and Gon go to fetch Killua back from his family estate after the end of the Hunter Exam arc. Both musicals have received separate DVD and audio CD releases, as well as a dual DVD release from Marvelous Entertainment. [114][119][120] There is also a live-action play titled Real Stage Hunter × Hunter: "A Longing for Phalcnothdk ~ A Spider's Memory ~" (リアルステージ ハンター×ハンター「A Longing for Phalcnothdk 〜蜘蛛の記憶〜」), which was performed 16 times at the Theater Sun-mall in Shinjuku, Tokyo during August 2004. [121][122][123] The play is a retelling of the Phantom Troupe finale in the Yorknew City arc. It received a DVD release in Japan on December 10, 2004. [121] Video games[edit] There are ten Japan-exclusive video games based on Hunter × Hunter, many of which are either developed or published by Konami or Bandai. They range from role-playing and strategy games to action and adventure games. These include titles for the WonderSwan,[124] WonderSwan Color,[125][126][127] Game Boy Color,[128][129] Game Boy Advance,[130] PlayStation,[131][132] and PlayStation 2. New York, New York: Del Rey. p. 115. ISBN 978-0-345-48590-8. OCLC 85833345. ^ "Nichi bei Times". Archived from the original on 30 September 2011. Retrieved 1 July 2009. ^ "Top Televised Anime in Japan". Anime News Network. 11 March 2002.
Being offended by this show is reasonable. Using said offense to try and shut down an author's livelihood, or to generalise an entire country of 130 million people as perverts or as morally bankrupt, is not. Some may even say it is despicable. And, you know, I think there is some truth in that.
So, feel free to watch Goblin Slayer if you enjoy dark-fantasy and have a tolerance for uncomfortable content. Or skip it, because truth told, Goblin Slayer was never really worth caring that much about in the first place.