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Although the humor,
characters, and story were still praised, reviewers unanimously criticized the drop in the quality of the animation following the change of studios. The direction, pacing, and fights were also criticized, as was the last episode for feeling like an improper season finale. [86] Screen Rant noted that fan reaction to the season was divided, with their response to the new animation being notably negative. [87][88] They criticized the drop of quality in animation as well as the change of director, saying "One-Punch Man was previously crisp, detailed and fluid, but many fans claim that the latest season has felt static, bland and uninspiring. This is almost certainly down to a change in director. [The series] has gone from the pinnacle of TV anime visuals to looking like just another weekly series. " However,
they believed the season "improves in terms of story, character and world-building", although they mostly attributed this to the original manga its based on rather than the anime series' staff. [88] They were very critical of the season finale, noting how the anime could have adapted one or two extra manga chapters to offer a more conclusive finale and build excitement towards a third season. [87] IGN gave season 2 a five out of ten rating, calling it "mediocre". Although they felt the humor and characters were on par with the first season, they were very critical of the animation and pacing, saying: "[the animation was] taking horrendous shortcuts to get the fights done and dusted in as simple a way as possible. Gone are the
intricately detailed character action shots, with dynamic slow motion and constantly-shifting camerawork.
Traditionally only Japanese works have been considered anime, but some works have sparked debate about blurring the lines between anime and cartoons, such as the American anime-style productions Avatar: The Last Airbender and Avatar: The Legend of Korra. [211] These anime-styled works have become defined as anime-influenced animation, in an attempt to classify all anime styled works of non-Japanese origin. [212] Some creators of these works cite anime as a source of inspiration, for example the French production team for Ōban Star-Racers that moved to Tokyo to collaborate with a Japanese production team. [213][214][215] When anime is defined as a "style" rather
than as a national product, it leaves open the possibility of anime being produced in other countries,[211] but this has been contentious amongst fans, with John Oppliger stating, "The insistence on referring to original American art as Japanese "anime" or "manga" robs the work of its cultural identity. "[12][216] A large contingent of anime and manga is also notable for deliberately forgoing any identification of its
characters with real-world ethnicities or nationalities, termed in criticism as mukokuseki (statelessness). Mukokuseki characters may be depicted with culturally neutral features and can significantly impact the reception of a property outside of Japan.
Yen Press. Archived from the
original on
April 2, 2022. Retrieved April 2, 2022. ^ 陰の実力者になりたくて! (6) (in Japanese). Kadokawa Shoten. Archived from the original on October 19, 2022. Retrieved April 27, 2021. ^ "The Eminence in Shadow, Vol. 4 (manga)". Yen Press. Archived from the original on January 11, 2022.
