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1Baby talk variations 6Familial honorifics 7See also Toggle See also subsection 7. 1Other languages 8References 9Bibliography 10Further reading 11External links Toggle the table of contents Japanese honorifics 24 languages العربيةAsturianuAzərbaycancaবাংলাCatalàDeutschΕλληνικάEspañolFrançaisGàidhligՀայերենBahasa IndonesiaItalianoMagyarBahasa MelayuNorsk bokmålPolskiPortuguêsРусскийSundaSvenskaTürkçeУкраїнськаTiếng Việt Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikimedia Commons From Wikipedia, the free encyclopedia Polite forms of address in Japanese "Hanshi" redirects here. For the Chinese festival, see Hanshi Festival. This article includes a list of general references, but it lacks sufficient corresponding inline citations. Please help to improve this article by introducing more precise citations. (December 2014) (Learn how and when to remove this template message) The Japanese language makes use of a system of honorific speech, called keishō (敬称), which includes honorific suffixes and prefixes when referring to others in a conversation.

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In contrast, anime shows such as Dragon Ball Z had a serialization format, where continuous story arcs stretch over multiple episodes or seasons, which distinguished them from traditional American television shows; serialization has since also become a common characteristic of American streaming television shows during the "Peak TV" era. [98] Industry See also: List of anime companies and List of Japanese animation studios Akihabara district of Tokyo is popular with anime and manga fans as well as otaku subculture in Japan. The animation industry consists of more than 430 production companies with some of the major studios including Toei Animation, Gainax, Madhouse, Gonzo, Sunrise, Bones, TMS Entertainment, Nippon Animation, P. A. Works, Studio Pierrot, Production I. G, Ufotable and Studio Ghibli. [99] Many of the studios are organized into a trade association, The Association of Japanese Animations. There is also a labor union for workers in the industry, the Japanese Animation Creators Association. Studios will often work together to produce more complex and costly projects, as done with Studio Ghibli's Spirited Away. [99] An anime episode can cost between US$100,000 and US$300,000 to produce. [100] In 2001, animation accounted for 7% of the Japanese film market, above the 4. Ippo defeating Okita. When the match between Ippo and Okita began, both boxers had an in-fight where neither of them got a clean hit in until Ippo made Okita step back after hitting his guard. Okita used the Corkscrew Blow on Ippo's guard, causing Ippo's guard to break as his hand flung up in the air. Okita then began to use feints, tricking Ippo to guard his head, allowing Okita to get a body blow in. After being advised by Kamogawa to not go defensive and to not forget his boxing, Ippo decided to block Okita's jabs and bury into his space. However, Ippo was unable to do it due to Okita's feints, getting hit in the confusion. Okita soon got Ippo into a corner and broke his guard, leaving Ippo open for a Corkscrew Blow. Okita threw the Corkscrew Blow, however Ippo dodged it and hit the now defenceless Okita with a right uppercut, affecting his legs. Ippo and Okita both have another in-fight, with both fighters showing damage until Ippo downed Okita with a right. After Okita got back up, Ippo went on the offensive as Okita blocked his punches until both fighters threw a punch at the same time, with Ippo's punch landing first by a split second. After feinting Ippo, Okita began throwing a right Corkscrew Blow counter, however Ippo landed a right counter of his own, knocking down Okita to the mat.