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Be prepared to provide any background or medical history (such as any
previous injury to the eye, history of treatments or medications used, any signs of vision problems, and vaccination history)
that might help with the diagnosis of any eye problem. The first step of the examination involves checking to be sure that the shape and outline of the eyes are normal and that there are no obvious abnormalities. Then, using light and magnification in a darkened room, the reflexes of the pupils and the front part of the eye are examined. Depending on these findings and the reasons for the checkup, additional tests may be needed. Some parts of the examination may require sedation or anesthesia. A test, called the Schirmer tear test, may be performed to ensure that the eyes are producing enough tears to keep them moist. This is a relatively simple test in which a small paper strip is inserted under the eyelid to measure the amount of moisture produced. Another common test involves placing a small drop of fluorescein stain into each eye, which allows defects—such as scratches in the cornea of the eye—to be detected.
Pressure within the eye is measured painlessly using an instrument called a tonometer. If eye pressure is too high, optic nerve damage can occur, leading to irreversible blindness. A swab may also be done to culture for bacteria or fungi.
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[5] Inagaki was personally fascinated by the
topic of science as a child and sought to create a science-based story for entertainment purposes that also featured common themes and messages that would be compelling for the audience. [3] In regards to influences, Inagaki stated that Video Girl Ai was a series that had a significant impact on the story's development. [3] Inagaki works remotely with his illustrator Boichi in which the former sends his own created storyboards to the latter through his own editor. [4] By the time the pair began working on the series, Inagaki was already quite familiar with Boichi's work as an artist and initially struggled with expressing his ideas for his collaborator to illustrate, often times being uncertain about how to draw some of Senku's inventions and how to make them feel impressive. [6] While developing the setting for the series, Boichi grew captivated imagining how to create the look of a futuristic Japan set 3700 years after humanity had turned to stone. He settled upon the idea of creating a vast beautiful world in which Japan's nature was left untarnished due to the loss of humanity's influence. [6] When asked about scientific accuracies, Inagaki revealed that both
himself and Boichi have conducted research into the subject during the development of the series while also receiving help from a consultant. [6] Adaptation[edit] Director Shinya Iino expressed that one of the challenges with adapting the series into animation was determining how the backgrounds would appear in a different medium. He would go on to state that Boichi had provided his assistance by sending his own rough sketches as a way to facilitate the adaptation process. [7] Iino would also state that the theme of science, featured in the story, captured his attention, as it was not a theme that was featured in many other shōnen manga series. [7] Media[edit] Manga[edit] See also: List of Dr.