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It's this kind of obviousness that shows like Erased demonstrate when they highlighted everything in red to insinuate danger. Attempts at cleverness that's just painfully juvenile. And now this same kind of forcefulness is being carried over to Re:Zero.
And 17-minutes into episode 11, Suburu states, "You know, Rem, you keep putting Ram on a pedestal and undermining yourself—," while the camera unapologetically focuses on blue and pink flowers, both literally sitting in a vase (pedestal) of equal height. These are the kinds of things that Re:Zero does repeatedly that demonstrate its lack of restraint. Constantly drawing attention to your symbolism only defeats the purpose of it, to begin with. Symbolism and motifs alike are supposed to be discovered, not spoon-fed. And this is the problem with this show: it can't simply let things be without intervening with forceful resolve.
And then you have ideas that are used only to add detail to the universe or serve as a new plot reveal to keep the story exciting, but that are never properly thought out.
Like the battle against Moby Dick, a beast with the ability to erase the memory of people's existence consumed by its fog. We get an example of this when Rem sacrifices herself to save Suburu and is immediately forgotten by everyone who knows her.

Shogakukan. Archived from the original on September 20, 2022. Retrieved September 17, 2022. ^ 20世紀少年 完全版 1 (in Japanese). Shogakukan. June 28, 2016.

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[permanent dead link] ^ "Kingdom: Deze week". een. 7 April 2009. Archived from the original on 9 April 2009. Retrieved 7 April 2009. ^ Shepherd, Robert John (29 May 2007). "Region 2 Out This Week". DVD Reviewer. Retrieved 12 June 2007. ^ "Kingdom". Hulu. Archived from the original on June 4, 2012. Retrieved June 17, 2013. ^ "映画 アニメ SLAM DUNK 湘北最大の危機!燃えろ桜木花道" [Theatrical Anime: Slam Dunk Shohoku's Greatest Challenge! Burning Hanamichi Sakuragi] (in Japanese). AllCinema Movie & DVD Database. Archived from the original on June 4, 2012. Retrieved June 17, 2013. ^ "Company Profile". Enoki Films. Archived from the original on April 25, 2018. Retrieved April 25, 2018. ^ "Japan's Favorite TV Anime".
It was quite interesting seeing the stories of both the nursery and the outside world being told side by side with one another, not relying on info dumps or conventional flashback sequences to understand the lore of the world.
Not only is it very thought-provoking, it also looks and sounds incredible, with an audiovisual experience that always had me paying attention and sometimes on the edge of my seat. The directing is phenomenal in really setting the atmosphere and the eerie tone in the more important scenes, but also can change into a very light tone in more comedic scenes. The backgrounds show us the backdrop of urban decay, rather than just flat out telling us. The soundtrack contributes to the atmosphere a lot too, as Kensuke Ushio, who composed music for anime like Chainsaw Man, A Silent Voice, and The Dangers in My Heart, did a great job yet again here to convey the occasional emotional gut punch, or to get us even more uncomfortable in a horrifying sequence. Everything about the production overall was at a very high level, and after seeing the staff behind it, I can see why.