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And yet one of the major forms of discrimination is lookism, prejudice against the unattractive. And this gets almost no attention and sparks little outrage. Why?Lookism starts, like every form of bigotry, with prejudice and stereotypes. Studies show that most people consider an “attractive” face to have clean, symmetrical features. We find it easier to recognize and categorize these prototypical faces than we do irregular and “unattractive” ones. So we find it easier — from a brain processing perspective — to look at attractive people. Attractive people thus start off with a slight physical advantage. But then people project all sorts of widely unrelated stereotypes onto them. In survey after survey, beautiful people are described as trustworthy, competent, friendly, likable and intelligent, while ugly people get the opposite labels. This is a version of the halo effect. Not all the time, but often, the attractive get the first-class treatment.

[32][33] Takashi Nagasaki is credited as "co-producer" of the manga's story. [34] A sequel, titled 21st Century Boys, was serialized in the same magazine from December 25, 2006,[c] to July 14, 2007;[37] the 16 chapters were released into two volumes on May 30 and September 28, 2007. [38][39] 20th Century Boys received an eleven-volume kanzenban re-release between January 29 and November 30, 2016. [40][41] The single kanzenban reprint of 21st Century Boys, released on December 28, 2016, includes a new ending. [42] A one-shot manga titled Aozora Chu-Ihō ("Blue Sky Advisory – Kiss") was published in the February 2009 issue of Big Comic Spirits, it was credited to "Ujiko-Ujio", the pen-name of the fictional manga creator duo Kaneko and Ujiki in 20th Century Boys. [43] Both 20th Century Boys and 21st Century Boys were licensed for English-language release in North America by Viz Media in 2005, however their release was delayed until after their translation of Monster had finished. [44] The first English-language volume of 20th Century Boys was released on February 17, 2009, and the last of 21st Century Boys on March 19, 2013. It had been reported that the reason for the delay was at the request of Urasawa, who felt there was a change in his art style over time. [44] However, when asked about it being due to his request in 2012, Urasawa was surprised saying that he did not know about that and simply suggested Viz did not know which order to publish the two series. [45] In 2017, Viz licensed the kanzenban editions of both 20th Century Boys and 21st Century Boys. The first volume of 20th Century Boys: The Perfect Edition was published on September 18, 2018, and the single volume 21st Century Boys: The Perfect Edition was published on June 15, 2021.

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Natsume stated in an interview, “Sonny Boy is a simple story about a boy growing up and people drifting apart,” and the only reason he imagined it with such an abstract presentation was simply because “life can be absurd and inexplainable sometimes, and you find yourself asking ‘Why?’ a lot. ” To me, this is very obvious. The tangible plot of Sonny Boy is a straightforward mystery box which just so happens to have a great deal of surreal elements, but this simplicity is a good thing, because with all the symbolism and character details you already have to keep track of, any narrative structure more complex than this would’ve been way too overbearing and—now that I mention it—probably would’ve made the series as confusing as everyone already says it is. What makes the cast so good is a combination of the expressive character animation I mentioned earlier and the fact Natsume personally wrote the script for every episode, making every character feel consistent. I was actually worried about him writing, because while Natsume is a fantastic director, I wasn’t sure how confident I was in his ability to direct AND write his own original project. While his themes weren’t as profound as he might've hoped, his character writing was first-class, and while some episodes were definitely more verbose than necessary, he still proved my worries wrong. There’s a cute, snarky cat girl whose cats work for Jeff Bezos at Nyamazon, an Indian exchange student who literally invents bitcoin, a New York Yankee’s fan who builds a religion around baseball playing monkeys, and a five thousand year old talking dog. This idiosyncratic charm defines nearly every character, and the few exceptions are still well-realized and serve as a much needed anchor.
Rereading everything I’ve written here, I suppose there’s always a chance I’m subconsciously handwaving parts of the show which are obviously lacking, or perhaps I’m similarly making excuses for what the average viewer may see as wasted potential by overselling what already stands out, but I sincerely think this is one of the most visually compelling anime to come out in years, and aesthetically speaking, I’m not sure if an anime has ever resonated with me in quite the same way. I imagine it's a simple lack of all the abhorrent digital filters, aftereffects, bloom, and other post-production alterations which are layered on top of every modern anime, but this show is just SO gorgeous. It looks like it has all the hand-painted goodness of older anime, but also the crisp visual resolution of digital anime. 17"My Comrade"
Transliteration: "Watashi no dōshi" (Japanese: 私の同志)Naoyoshi KusakaDeko AkaoAkira NishimoriFebruary 11, 2024 (2024-02-11) The spear glances off Taratectra’s armour but is caught in mid-air by Ragna. Taratectra narrowly escapes dying instantly in the explosion but is still mortally injured. Having also been a human soldier who served Princess Lakucia Taratectra bids farewell to Olto Zora as a comrade then commits suicide in a massive explosion. Ragna struggles to contain the blast which is powerful enough to kill everyone in the forest. Starlia senses Ragna keeping some power in reserve to stop her inferior sword breaking, so she astral-projects her spirit to his side to lend him some of her own power and glimpses Future-Ragna inside his soul. With her help Ragna stops the explosion and saves everyone. Starlia cries for Ragna; the unfairness of someone so honourable and powerful doomed to a future of loneliness and pain, so she offers him a better future with her if he abandons Crimson. Fu activates the circle to begin teleporting everyone, but in a split second Waltekamui appears, beheads Starlia and challenges Ragna to fight. Ragna engages him in a vicious fight of pure instinct and brutal violence but with most of his power already spent he soon collapses unable to move. Suddenly, he awakens far away in the same ruined city, with a still living Starlia. 18"End of the Battle to the Death"
Transliteration: "Shitō no Owari" (Japanese: 死闘の終わり)TBATBATBAFebruary 18, 2024 (2024-02-18) Starlia reveals the teleportation circle worked and the other survivors are nearby.