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[97][98] Regarding the series' sudden huge success, Weekly Shōnen Jump editor-in-chief Hiroyuki Nakano stated that the manga sales shot up straight after its anime adaptation finished, explaining that a large number of people watched the series through streaming services after it ended rather than watching it weekly. Nakano also stated that it is harder for a manga series running in the magazine to become a hit, and Demon Slayer: Kimetsu no Yaiba despite having started in February 2016, did not become a major hit until late 2019, adding that its success "hinged on word of mouth generated after the anime's run". [99] Nakano have also said it introduced many new people and audience into Jump. [100] On December 20, 2020, at the Jump Festa '21, Mayumi Tanaka, voice actress of One Piece's Monkey D. Luffy, read aloud a message from One Piece creator Eiichiro Oda, in which he praised Gotouge's series, and wrote: "At Jump, Demon Slayer was really amazing. I enjoyed how it was able to save the feelings of so many people. Absolutely superb work. This is how I want manga to be. It touched me, somehow!". [101] Yusuke Murata said that the series' contribution to the industry as a whole is immeasurable,[102] while Gege Akutami commented that the series created many new manga fans. [103] The incumbent, Fumio Kishida, has remarked that he was a fan of the series, pledging that he would improve the conditions in the manga and anime industry.

51 eps • 2014–201951 episodes • 2014–2019Kira BucklandJolyne. 44 eps • 2014–202244 episodes • 2014–2022Phillip ReichGiorno Giovanna. 44 eps • 2016–201944 episodes • 2016–2019Kenshô OnoGiorno Giovanna.

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[12] The film's distributor, Shochiku, listed the adaptation releasing in Q4 2016. [13] On April 8, 2016, the film adaptation's official website opened, announcing that Reiko Yoshida would write the script for the film, Futoshi Nishiya would design the characters and the film was scheduled for release in Japanese theaters on September 17, 2016. [14] Kensuke Ushio and Pony Canyon composed and produced the music, respectively. [7] The film's theme song, titled Koi wo Shita no wa (恋をしたのは), was performed by Aiko, while "My Generation" by The Who was used during the opening credit. [15][16] For the English dub, deaf actress Lexi Cowden was cast as Shōko. [17] Analysis[edit] Themes[edit] The cinematic adaptation, based on the manga of the same name by Yoshitoki Ōima, covers a large part of the original plot. Some segments have been shortened for runtime reasons. Individual scenes were weighted differently so that the manga can be considered supplementary literature, for example, of the characters' backgrounds. [18] The more obvious themes covered by the film are school bullying and the integration of disabled people in society. The film then tackles handling guilt within a community (although this aspect is explored more in-depth in the manga),[19] redemption for mistakes of the past,[20] forgiveness and self-respect. [21] Director Naoko Yamada explains that bullying should not be considered as the central theme of the film but rather a means to explore Shōya's personality as he gets older. zoro in here like an mcu cameo Review by ˗ˏˋ suspirliam ˊˎ˗ ★★★1⁄2 This review may contain spoilers. I can handle the truth. that zoro cameo gagged me a bit ngl Review by Matthew Lewis ★★1⁄2 I'm a lifelong One Piece fan currently in the middle of the Wano Arc, so you bet I popped my fucking tits off at the ending. Outside of that though this one episode short was novel but rather inessential. It felt like I was watching the first chapter/episode of Eiichiro Oda's next project (though I hope that man take a much deserved LONG holiday after finishing One Piece) and based on this episode alone I can't say I'd be particularly invested. It doesn't really do much to stand out from other Shonen series. The protagonist is hot-headed, you can see the twist coming a mile away, and the only named female character has no personality. It's almost every first shonen. Review by Manu_Ozz ★★★★ Ryuma, el Rey.