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In other words, it’s not just some gossip being revealed by another character, but rather a piece of damning information which the organizers of the Tomodachi Game themselves have privately investigated with whatever resources they have at their disposal, implying, “Your friends may know some dirty shit about you, but we know EVERYTHING about you, including your deepest, darkest, most well-kept secrets. ” Immediately after this gambit is resolved, someone gives a fake piece of information about the person who was JUST EXPOSED in the gambit, that person insists the information is false, and Manabu, the hideous CG Front Man, says, “lol how do we know that’s fake information? Prove it, retard. ” AS IF HE DIDN’T JUST IMPLY THE PREVIOUS GAMBIT WOULD’VE ALREADY REVEALED HIS DARKEST SECRET! Every reveal is completely dependent on wherever God Yuichi is in whatever master plan he happens to be engaged in at any given moment, and if that means even the almightily showrunners themselves have to look surprised or incompetent, then so be it. Every character is made to be fooled, every rule is made to be broken, and everything is made to bend to God Yuichi’s sadistic, malicious will. There can only be one true edgelord to rule them all.Then there’s the themes, which are not only pathetic, but also, perhaps unintentionally, weird and off-putting. Occasionally, one of the showrunners pretentiously applies a generic observation of human behavior onto some event which is only broadly relevant. Anyone who’s gone outdoors for three seconds of their fucking life and has interacted with humans for at least one of those seconds could conjure up similar commentary. Most of the time the characters being commented on are forced into the scenario anyway, and that leads into a more subtle issue with the show—and that’s how dishonest it is. The big, prominent theme is supposed to be choosing between friends or money, and the fact each friend was willing to go into crippling debt to help their friend who just betrayed them should be enough to prove where their loyalties lie. Yet no one ever mentions how this is a misrepresentation of the actual choice being presented, because not being in debt isn’t really the same thing as winning money.
D. Myrica MusicMyung FilmsN&G ProductionNADA HoldingsNagoya Broadcasting NetworkNagoya University of Arts and SciencesNakamura ProductionNamisokanNamu AnimationNANON CREATIVENatsume AtariNatural HighNatureLabNaver WebtoonsNAZNBCUniversal Entertainment JapanNEC AvenueNEC InterchannelNeft FilmNekonigashi Inc. Nelke PlanningNelvanaNetEaseNetflixNetmarbleNetworkNetwork Kouenji StudioNew DeerNew GenerationNewGinNexonNextNext Media AnimationNEXTORYNexusNHKNHK ArtNHK EnterprisesNHK-BS2NHN PlayArtNIANTICNice Boat AnimationNichiei AgencyNichiNareNichionNihikime no DozeuNihon Ad SystemsNihon EizoNihon FalcomNihon Hoso EigashaNihon Keizai KoukokushaNihon University College of ArtNikkatsuNikkatsu MukojimaNintendoNintendo of AmericaNippon AnimationNippon ColumbiaNippon Cultural BroadcastingNippon Ichi SoftwareNippon Ramayana Film Co. Nippon Shuppan Hanbai (Nippan) K. K. Nippon Television MusicNippon Television NetworkNIS America, Inc. Nishiki StudioNishinippon BroadcastingNitroplusNobelnobishiro labNomadNoovoNorth Stars PicturesNostalookNotesNOTTVNozomi EntertainmentNTT DocomoNTT PlalaNTV WandsNurNutNuTech DigitalNYAV PostOB PlanningObtain FutureOCCOctober MediaOddjobOdolttogiOffice AOOffice DCIOffice ENDLESSOffice No. 8Office NobuOffice Take OffOffice TakeOutOh! ProductionOkinawa Prefectural University of ArtsOkumazaOkuruto NoboruOLE-MOlive StudioOLMOLM DigitalOmnibus JapanOn The RunOn-LeadONEMUSICOngaqOnion StudioOnionskinONIROOpera HouseORADA COMPANYOrangeORCENOrchid SeedOrdetORENDAOriental Creative ColorOriginal DreamOriginal ForceOrixOsaka University of ArtsOtogi ProductionOTOIROOverlapOxybotOysterOZOz Inc. P coreP ProductionsP-Vine RecordsP. A. WorksP.
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