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[178] The initial controversy surrounding the end of Evangelion has had no lasting negative influence on the popularity of the series. [160][179] Evangelion has
developed into a social phenomenon beyond its primary fan base, generating
national discussion in Japan. The series has also been the subject of numerous media reports, debates, and research studies worldwide. [180][50] The show has received review by critics, academics and sociologists alike, including by Susan J. Napier, William Rout, Mick Broderick, Mari Kotani,[181] Shinji Miyadai,[182] Hiroki Azuma,[51] Yuriko Furuhata, and Marc Steinberg. [183] The series has been described as both a critique and deconstruction of the mecha genre. [8][184] Japanese critic Manabu Tsuribe considered that Evangelion was "extremely interior and is lacking in sociality, so that it seems to reflect pathology of the times. "[185] Anime News Network's Martin Theron described the character design as "distinctive, designed to be sexy rather than cutesy", and the mecha designs as "among the most distinctive ever produced for an anime series, with sleek, lithe appearances that look monstrous, fearsome, and nimble rather than boxy and knight-like". [186] Mike Crandol stated "It no longer seems contrite to say that Evangelion is surely one of the all-time great works of animation". [173] In February 2004 Cinefantastique listed the anime as one of the "10 Essential Animations". [187] Awards[edit] Neon Genesis Evangelion has scored highly in popularity polls.
Retrieved March 3, 2024. ^ Mateo, Alex (March 10, 2023). "The First Slam Dunk Film Wins Japan Academy Film Prizes' Animation of the Year". Anime News Network. Archived from the original on March 10, 2023. Retrieved March 10, 2023. ^ 『H×H』作者・冨樫義博、7ヶ月ぶりにSNS更新 原稿公開で「Start over」 投稿10分でトレンド入り. Oricon News (in Japanese). October 2, 2023. Archived from the original on October 1, 2023. Retrieved October 1, 2023.
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