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2021 Chapter 240 09. 09. 2021 Chapter 239 09. 09. 2021 Chapter 238 09. 09. 2021 Chapter 108 09. 09. 2021 Chapter 107 09. 09. 2021 Chapter 106 09.

The series received the award for the forty-fourth volume in 2008[216] and the forty-eighth volume in 2009. [217] One Piece won the AnimeLand's Anime & Manga 19th Grand Prix for the "Best Classic Shōnen" category in 2012. [218][219] In a poll conducted by Oricon in 2008 about "the most moving (touching) manga ever", One Piece ranked first in both male and female categories. [220] In another 2008 poll by Oricon, Japanese teenagers voted it the most interesting manga. [221] On Tencent's anime and manga web portal, One Piece ranked first in a poll of "must-read manga for the younger generation in China". [222] In a poll conducted by eBookJapan in 2014 about "manga that children want to read" for "Children's Reading Day" by the Ministry of Education, Culture, Sports, Science and Technology, the series also ranked first. [223] On June 15, 2015, it was announced that Eiichiro Oda and One Piece had set the Guinness World Record for "The most copies published for the same comic book series by a single author" with 320,866,000 copies printed worldwide by December 2014;[224] it updated the record on August 4, 2022, when it reached over 500 million copies in circulation worldwide in both print and digital copies (416,566,000 in Japan and 100 million copies in 60 countries and territories outside of Japan). [130] The series ranked fourth on the first annual Tsutaya Comic Awards' All-Time Best Section in 2017. [225] In 2021, TV Asahi announced the results of its "Manga General Election" poll in which 150,000 people voted for their "Most Favorite Manga", One Piece ranked first on the list. [226][227] In 2014, the "One Piece Premiere Summer" event received the "Best Overall Production" award from the International Association of Amusement Parks and Attractions. [228] Cultural impact As part of an effort to help Kumamoto Prefecture recover from the 2016 earthquakes, Oda helped set up 10 statues of the Straw Hat Pirates around the prefecture.

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[84] Rebecca Silverman of Anime News Network wrote that the first volume "combines a fighting story with a solid emotional background, and will absolutely put hair on your chest. " She called Dio an excellent villain that the readers can enjoy hating. However, she criticized the anatomy of characters, saying "bodies are often twisted into impossible positions. "[85] Comics & Gaming Magazine's Cole Watson also strongly praised Dio as the highlight character of Part 1, stating that his eyes were glued to the page whenever he appeared, and described him as "the literal embodiment of Satan in manga form. " Watson gave Phantom Blood a 7. 5 out of 10, writing that while there is a lot to enjoy, it primarily serves as Dio's origin story and there are some moments that are "agonizingly slow. "[86] Silverman described Part 2 as "less urgent" than Part 1, which allows for more humor and insanity, while still letting the reader get attached to the characters. [87] She felt positively about how strikingly different the protagonist Joseph is from Part 1's Jonathan. [88] However, she wrote that Araki's art had gotten even more "physically improbable," making it difficult to distinguish body parts. [88] When discussing his views on having characters die in a series, writer Gen Urobuchi cited Battle Tendency's Caesar Zeppeli as a character who became "immortal" thanks to his death. [89] Reviewing Stardust Crusaders, Silverman enjoyed seeing Part 2's Joseph team up with new protagonist Jotaro and was impressed that Araki was able to keep Dio out of Part 2 completely, only to bring him back for Part 3. [45] This period also saw a revival of the Class S genre through the best-selling light novel series Maria-sama ga Miteru (1998–2004) by Oyuki Konno [ja],[46][47] which by 2010 had 5. 4 million copies in print. [48] Another prominent author of this period is Kaho Nakayama, active since the early 1990s, with works involving love stories among women. [46] The first Japanese magazines specifically targeted towards lesbians, many of which contained sections featuring yuri manga, also emerged during this period. [49] Stories in these magazines ranged from high school romance to lesbian life and love and featured varying degrees of sexual content. [49][50] 2000s: Publishing and fan culture growth[edit] Faced with a proliferation of stories focused on homosociality, homoeroticism, and female homosexuality, some publishers sought to exploit the yuri market by creating manga magazines dedicated to the genre, coalescing around yuri as the preferred name for this genre in response to its popularity in dōjinshi culture. [6] In 2003, Yuri Tengoku and Yuri Shimai launched as the first manga magazines devoted exclusively to yuri. [51] This was followed by the female reader-oriented Comic Yuri Hime in 2005 and the male reader-oriented Comic Yuri Hime S in 2007; the two magazines merged under the title Comic Yuri Hime in 2010. [52] Stories in these magazines dealt with a range of themes, from intense emotional connections such as those depicted in Voiceful (2004–2006), to sexually-explicit schoolgirl romances like those portrayed in First Love Sisters (2003–2008),[53] and realistic tales about love between adult women such as those seen in The Conditions of Paradise (2007). [54] Some of these subjects are seen in male-targeted works of this period as well,[55][56] sometimes in combination with other themes, including mecha and science fiction. [57][58] Examples include series such as Kannazuki no Miko (2004–2005), Blue Drop (2004–2008), and Kashimashi: Girl Meets Girl (2004–2007).