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^ "ぴえろ BLEACH =ブリーチ=" (in Japanese). Studio Pierrot. Archived from the original on September 24, 2018. Retrieved April 7, 2009. ^ Loo, Egan (February 23, 2012). "Bleach TV Anime Ending on March 27".


When they reach the age of 15, Yuno is bestowed a spectacular Grimoire with a four-leaf clover, while Asta receives nothing. However, soon after, Yuno is attacked by a person named Lebuty, whose main purpose is to obtain Yuno's Grimoire. Asta tries to fight Lebuty, but he is outmatched. Though without hope and on the brink of defeat, he finds the strength to continue when he hears Yuno's voice. Unleashing his inner emotions in a rage, Asta receives a five-leaf clover Grimoire, a "Black Clover" giving him enough power to defeat Lebuty. A few days later, the two friends head out into the world, both seeking the same goal—to become the Wizard King!
[Written by MAL Rewrite]EditBackgroundThe series' broadcast went on hiatus following the release of episode 132 on April 28, 2020.

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arknights characters

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(82. 78) Average rainy days (≥ 0. 1 mm) 13. 9 13. 8 15. 2 13. 6 12. 6 12. 2 8. 3 10. "Dance Away, Atop the Stage of Infamy" 133. "Out-Out-Out-Outsmarting" 134. "A Gallon of Gasoline on the Bonfire" 135. "The Outrageous Theater Heats Up" 15 October 17, 2023[65][66]978-4-06-533152-1
978-4-06-533146-0 (LE)March 5, 2024 (digital)[67]979-8-88933-406-4 (digital) 136. "Romance Strengthens You; Love Corners You" 137. "The Hero Arrives Fashionably Late" 138. "The Shooting Star Never Stops" 139. "The Day is Saved!" 140. "The Arrogant Challenger – Ignition" 141. "The Semi-Flammable Loser- Backdraft" 142. "The Raging Avenger- Burnout" 143.
From his perspective, it is shown how bullying can affect an adolescent's psyche and prove his resilience. Shōya faces many challenges: the rejection of Shōko's mother or the avoidance of former classmates, who don't want to confront their past behaviour when he and Shōko work through their past. [24] Shōya's alienation and inability to look at his fellow people are symbolised by crosses (✖️) on their faces. [25] This behaviour is often emphasised by camera framing, which avoids the faces of people around him as Shōya shies away from eye contact, often focusing on body language instead. [26] In some face-to-face conversations, Shōya's interlocutor's face is cut out of the frame; the empty space left behind him achieves an unsettling effect for the viewer. [21] Symbolism[edit] The film relies on subtle and sensuous motifs.