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[37] Verena Maser suggests that the decline of Class S removed the only context in which intimate relationships between women were possible,[39] while Yukari Fujimoto suggests that patriarchal
forces were responsible for tragic endings in these stories. [37] 1990s: Mainstream popularity[edit] Cosplayers
dressed as Sailor Uranus and Sailor Neptune from Sailor Moon By the 1990s, tragic story formulas in manga had declined in popularity. [40] 1992 saw the release of two major works for the development of yuri: Jukkai me no Jukkai (1992) by Wakuni Akisato [ja], which began to move the genre away from tragic outcomes and stereotyped dynamics;[41] and the anime adaptation of Sailor Moon (1991–1997) by Naoko Takeuchi, the first mainstream manga and anime series to feature a "positive" portrayal of a lesbian relationship in the coupling of Sailor Uranus and Sailor Neptune. [7][33] The immense popularity of Sailor Moon allowed the series to be adapted into anime, films, and to be exported internationally, significantly influencing the shōjo and yuri genres. [42] Uranus and Neptune became popular subjects of dōjinshi (self-published manga, analogous to fan comics) and contributed to the development of yuri dōjinshi culture. [43][44] The success of Sailor Moon significantly influenced the development of yuri, and by the mid-1990s, anime, and manga featuring intimate relationships between women enjoyed mainstream success and popularity.
I. Joe: Sigma 6 had all-American heroes animated in Japan and badly edited for the US. Few remember the show, but its merchandise like the Dragonhawk are much sought after. The original G. I. Joe series also had most of its animation done in Japan.
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