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appreciate the most in media, which is “show, don’t tell”. This anime masterfully handles that by giving us virtually no real direction on the surface, but encourages the viewer to ponder on the events of each episode, pay attention to how the characters act, and recall past events to make a scene or reveal hit that much harder. It’s an anime that can generate a lot of discourse because it is just so mind-bending at times, and confusing, in the most wonderful of ways. It’s not exactly “unpredictable” either, but in order to get the full picture, some thinking must be done — I really appreciate that, as it makes for another level of engagement to the events of the anime. In many media, it’s the author who seems to be the one dumping the information, but in this show, it’s instead the viewers who might try to put two and two together, like a puzzle, to figure out what exactly is going on in the story. There’s no better feeling than when you put two and two together and find out your theory was indeed correct. It’s definitely a breath of fresh air from the constant info dumps in other anime, though there are still some info dumps in this show as well.
To give a gist of the setting and story, it’s set in a post apocalyptic world where human civilization was destroyed, man-eating monsters are all over, laying waste to the remains of the land, and threatening the lives of the survivors. Meanwhile, there is a facility that is isolated from the rest of the world, which nurtures children in a very peaceful setting. It reminded me of The Promised Neverland in a way, with the Grace Field house. The two protagonists, Kiruko and Maru are seemingly looking for this place, which they call “Heaven”, and along the way they encounter many intriguing things, as tales on the inside of the nursery and outside get told.

Senpai intervenes, claiming the president's desire to paint herself is no different than his desire to paint Nagatoro and should allow her artistic expression. Nagatoro and the girls also support the president, with Yosshii providing camera footage showing that most students were serious admirers. The council allows the painting to remain but disqualifies the president from the competition, giving Senpai victory and allowing the art club to remain open. The girls gleefully insist the president must endure a loser's punishment and force her into a sexy bunny-girl costume. The president compliments Senpai's paintings, claiming they contain his love, embarrassing him and Nagatoro. Senpai invites Nagatoro to the closing event, a musical concert. The next day, Senpai does another sketch of Nagatoro, and she offers him another reward, only this time, she kisses him for real, though only on the cheek. Season 2: 2nd Attack[edit] StoryEpisodeTitle [80][c]Directed by [80]Written by [80]Original air date [81][d]131"It's You and Me, Senpai~"
Transliteration: "Senpai to Watashi no Nakanansu kara〜" (Japanese: センパイと私の仲なんスから~)Yū TakahashiTaku KishimotoJanuary 8, 2023 (2023-01-08) Nagatoro is still torturing Senpai, laughing at his choice of manga and at how he talks to girls, and trying to get a reaction out of him by having him put her stockings on her. 142"You're Inviting Me, Senpai!?"
Transliteration: "Senpai no Osasoi Suka!?" (Japanese: センパイのお誘いっスか!?)Kentarō FujitaTaku KishimotoJanuary 15, 2023 (2023-01-15) The club president gives Senpai tickets to the zoo, insisting that he takes Nagatoro with him to practice life drawing together. 153"Senpai.

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However, after meeting Isaki, he opens up to the people around him and reveals to Isaki that the cause of his insomnia is due to separation anxiety caused by his mother leaving him and his father. Ganta is determined to protect the observatory and the revived Astronomy Club, of which he is the president. He becomes Isaki's boyfriend at the end of the club trip during the summer holiday of their first year. He aims to get into a university with a nursing program in Kanazawa, Ishikawa, inspired by his desire to always be at Isaki's side. Isaki Magari (曲伊咲, Magari Isaki) Voiced by: Konomi Tamura[3] Portrayed by: Nana Mori[4] A cheerful high school girl who also suffers from insomnia like Ganta. She first discovered the abandoned observatory and made it her sleeping haven, until Ganta came along. As she and Ganta became closer, she shared to him that she is suffering a defective heart condition since birth which requires monthly examinations, frequent hospitalization, and even surgeries. She was the only other member of the Astronomy Club in her first year, and became the vice-president later in the winter of the same year. She started dating Ganta after his confession at the end of their club trip. Initially, she aimed for a university within Ishikawa Prefecture, until she managed to convinced her mother to allow her to try for a university in Osaka. Yui Shiromaru (白丸結, Shiromaru Yui) Voiced by: Haruka Tomatsu[5] Portrayed by: Minori Hagiwara[6] An alumna of the Astronomy Club who runs an arcade near Wakuraonsen Station. 2020 One Piece 755 : Chapitre 755 11 Dec. 2020 One Piece 754 : Chapitre 754 11 Dec. 2020 One Piece 753 : Chapitre 753 11 Dec. 2020 One Piece 752 : Chapitre 752 11 Dec. 2020 One Piece 751 : Chapitre 751 11 Dec. 2020 One Piece 750 : Chapitre 750 11 Dec.

Now no one, least of all me, expected this anime to be entirely realistic. I mean come on, it's an anime after all. But when Thorfinn can accomplish feats like casually charging through hundreds of arrows shot at his head, leaping 12 feet in the air over a moat, sprinting up the side of a vertical castle wall, and running through dozens of trained soldiers in armor while making abrupt slashing motions with his knives that decapitate all of them with one slice, then I start to have a problem with the "realism" factor. Moments like these had deleterious effects on the quality of the anime in my eyes, and Thorfinn's inexplicable demigod-like feats of strength and skill when compared to the generally normal capabilities of the majority of the rest of the cast caused a disconnect with the historical direction that the anime seemed to be aiming for.
Of course that loud, mountain of a man Thorkell is somehow worse when it comes to absolutely shattering any sense of realism that Vinland Saga was aiming for, but I don't even want to attempt to talk about that horrendously written character.
Yes, I believe Thorfinn failed spectacularly as a protagonist. But thankfully, there's Askeladd. He's honestly much more of a main character than Thorfinn, and is actually quite compelling and given a believable reason for his actions. He's clearly the deepest character and most entertaining part of the show, and despite my issues with many aspects of the anime *cough* Thorfinn *cough* he kept things interesting. He's the type of character that you initially want to hate but then grow to appreciate as time goes on, and I have to commend Vinland Saga for writing him in such a compelling way. But even Askeladd couldn't save Vinland Saga from falling into mediocrity.