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Later that night Andou and Baki sit down to eat dinner. After dinner Baki asks Andou for a favor, to let him camp on Yasha creek where the Yasha Ape has been seen to roam around. Andou is shocked he tells Baki that he shouldn't go there, it's suicide. Andou continues to explain that the Yasha Ape is no mere monkey, it's a monster that destroys all who oppose it, except for one man - Baki's father. He is the only man to have ever fought the beast and live and even then he still took major damage. All others who tried have never been heard from again.

And when the fight itself comes, it all boils down to Ippo winning through his sheer tenacity - no matter what his opponents throw at him, he just doesn't give up, and you just know the spectators will feel the need to comment on his never ending stamina between every single round. In all truth, while simple, this is both tiring and unsatisfying, especially since Ippo's opponents are almost always significantly more interesting and endearing than Ippo himself.
The narrative wants me to root for the hard working underdog Ippo, but it usually turns out that I want his opponent to win. This is because Ippo's enemies are fleshed out enough for the viewer to understand how they've trained for this day and what is at stake for them. These are typically much more convincing arguments for their victory than Ippo's, who is new to the boxing world and is on the losing side of the fight until it eventually comes down to, once again, Ippo simply lasting longer than his opponent despite an overwhelming disadvantage. In particular, I found myself rooting for the Russian boxer Alexander Volg Zangief. The emotional weight of his fights and career was more powerful than anything Ippo ever managed to achieve.
Ippo's romantic life is also given some focus, but it seems more like an afterthought. His romantic interest, Kumi Mashiba, is your typical ideal domestic housewife and devoted fan. Her relationship with Ippo begins with a quick meeting at a flower shop very early in the show and, despite their insistent tendency to meet frequently, it never really progresses very far.
Regardless of Ippo's boring fights, there are moments of interesting boxing action.

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It has very nice use of colors (darks, lights, illumination, etc. ) and some trippy scenes. As a whole however, for me personally, this enjoyment was countered by the movies refusal to allow the audience to be able to discern reality from illusion. Now of course, I don't want to have things spelled out for me. I enjoy having my perception toyed with as much as the next person, but by the end of a movie, especially after watching more than once, I expect to at least have some grasp on what was "really" going on. Otherwise I just feel confused and frustrated wondering what the point to the whole thing was. Maybe with Perfect Blue that was the point. Reviewer’s Rating: 5 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Maur (21) Show allRead moreShow lessOpen Gift Report Apr 22, 2019 Nim0174 Not Recommended I'm a big Kon fan, i love Milennium Actress and Paprika.
But this just does not hold a candle in comparison and here is why:
Story 5/10
The story itself is a pretty basic concept. Archived from the original on November 17, 2015. Retrieved April 29, 2021. ^ a b c Loo, Egan (June 13, 2012). "Young Jump Launches Free Site with Eyeshield 21's Murata (Updated)". Anime News Network. Archived from the original on September 24, 2015. Retrieved February 15, 2022. ^ Jamie S, Rich (December 26, 2009). "20th Century Boys 1: Beginning of the End". DVD Talk. Archived from the original on May 5, 2022.
Her zombified body allows her to heal any wound and temporarily paralyze people with her saliva and teeth. Takumi Kuruya (繰屋 匠, Kuruya Takumi) Voiced by: Yuma Uchida[2] (Japanese); Brandon Acosta[3] (English) A tech contractor who works for Clarissa and is later assigned to keep tabs on the revived Polka. With his server farm, visor, and drones, he has a surveillance network that covers a large swath of Shinjuku. Tsubaki Iwanome (岩野目 ツバキ, Iwanome Tsubaki) Voiced by: Takuya Eguchi[4] (Japanese); Jason Douglas[3] (English) Gōzaburō Arase (荒瀬 耿三郎, Arase Gōzaburō) Voiced by: Nobuhiko Okamoto[4] (Japanese); Derick Snow[3] (English) Lisa Kuraki (倉木 リサ, Kuraki Risa) Voiced by: Atsumi Tanezaki[4] Lisa Kuraki, also known as Clarissa (クラリッサ), is a mediator and bartender who runs Youtoukorou: a legal bar-cum-illegal freelance agency that operates in Shinjuku. Koyū Azuma (雷 小幽, Azuma Koyū) Voiced by: Misato Fukuen[4] Rozan Shinoyama (四乃山 呂算, Shinoyama Rozan) Voiced by: Kazuhiro Yamaji[4] Saya Shinoyama (四乃山 小夜, Shinoyama Saya) Voiced by: Yō Taichi[4] Izuna Ajishiro (阿字城 イズナ, Ajishiro Izuna) Voiced by: Rumi Okubo[4] Furuto Ichinose (一ノ瀬 古瑠斗, Ichinose Furuto) Voiced by: Ikumi Hasegawa[4] Saki Aikawa (合川 咲姫, Aikawa Saki) Voiced by: Haruka Shiraishi[4] Kuon Higuro (氷黒久遠, Higuro Kuon) Voiced by: Yoshimasa Hosoya[5] Arius Sabaramond (アリウス・サバラモンド, Ariusu Sabaramondo) Voiced by: Ayumu Murase[5] Taigai (太貝) Voiced by: Hiroya Egashira[5] Yomogi (蓬) Voiced by: Serika Hiromatsu[5] Media[edit] Manga[edit] Written by Ryohgo Narita and illustrated by Shinta Fujimoto, the series began serialization in Square Enix's Young Gangan magazine on October 20, 2017. [6] As of November 2023, the series' individual chapters have been collected into twelve tankōbon volumes. [7] Yen Press is publishing the series in English and is releasing chapters simultaneously with their Japanese release. [8] Volumes[edit] No. Original release date Original ISBN English release date English ISBN 1 April 25, 2018[9]978-4-75-755700-0December 11, 2018[10]978-1-97-532925-9 2 November 24, 2018[11]978-4-75-755922-6June 18, 2019[12]978-1-97-535761-0 3 April 25, 2019[13]978-4-75-756103-8December 24, 2019[14]978-1-97-538742-6 4 November 25, 2019[15]978-4-75-756401-5June 23, 2020[16]978-1-97-531373-9 5 April 25, 2020[17]978-4-75-756623-1June 15, 2021[18]978-1-97-532444-5 6 November 25, 2020[19]978-4-75-756960-7August 31, 2021[20]978-1-97-533585-4 7 April 24, 2021[21]978-4-75-757214-0April 26, 2022[22]978-1-97-534064-3 8 November 25, 2021[23]978-4-75-757595-0September 20, 2022[24]978-1-97-534958-5 9 April 25, 2022[25]978-4-75-757891-3July 18, 2023[26]978-1-97-537155-5 10 November 25, 2022[27]978-4-75-758269-9October 17, 2023[28]978-1-97-537537-9 11 April 25, 2023[29]978-4-75-758496-9January 23, 2024[30]978-1-97-538977-2 12 November 25, 2023[7][31]978-4-75-758880-6
978-4-75-758881-3 (SE)—— Anime[edit] An anime television series adaptation was announced on November 15, 2022. It is produced by Geek Toys and directed by Manabu Ono (with Yoshihiro Satsuma replacing Ono as the director for the second cour),[32] with assistant direction by Takaharu Ōkuma, sub-direction by Yoshiki Kitai, scripts written by Ono, Yukie Sugawara, and Yoriko Tomita, character designs handled by Hisashi Abe, and music composed by F. M.