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Retrieved 1 October 2014. ^ Henry George Liddell and Robert Scott. A Greek-English Lexicon. Revised by Sir Henry Stuart Jones and Roderick McKenzie. Oxford: Clarendon Press, 1940. ^ McCarron, Bill; Knoke, Paul (2002), "From Gent to Gentil: Jed Tewksbury and the Function of Literary Allusion in A Place to Come To", Robert Penn Warren Studies, 2 (1) ^ "CCC, 2733". Vatican. va. ^ "Before Sloth Meant Laziness, It Was the Spiritual Sin of Acedia". Atlas Obscura. 14 July 2017.6 million copies sold those years respectively. [164][165] In North America, volumes 23 through 27 have ranked within the top 300 best-selling graphics novels list of sales estimates by Diamond Comic Distributors. [166][167][168][169][170] Critical reception[edit] The Hunter × Hunter manga has received much praise for its plot and characters. In his 2007 book Manga: The Complete Guide, Jason Thompson described its storyline as "an almost random collection of psych-outs, battles, puzzles, and trickery" that works on both a chapter-by-chapter basis and a larger scale. Thompson elaborated that with all the goals and subplots of each of the main characters, the story could seemingly go on forever and is unpredictable enough to hold reader interest. [21] In a different review for Anime News Network in 2012, Thompson wrote that it was hard to summarize the story because "it is every shōnen manga in one, with training sequences, tournament battles, a crime-mystery story arc, and a virtual-reality, RPG-style story arc". But unlike most shōnen manga, he called Hunter × Hunter "incredibly dense. " Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer. " Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected tankōbon release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone.
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