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^ "Slam Dunk, Vol. 31". Viz Media. Archived from the original on January 27, 2014. Retrieved January 4, 2015. ^ Loo, Egan (January 24, 2009). "Slam Dunk 10 Days After Epilogue's Reprint Confirmed". Anime News Network. Archived from the original on January 27, 2009. Retrieved January 24, 2009. ^ "Slam Dunk - Property info".

2Awards 6Music 7Adaptations Toggle Adaptations subsection 7. 1Video games 7. 2Live-action film 8Legacy Toggle Legacy subsection 8. 1Akira slide 8. 2Cultural influence 9References Toggle References subsection 9. 1Sources 10External links Toggle the table of contents Akira (1988 film) 37 languages العربيةAvañe'ẽБългарскиCatalàDeutschΕλληνικάEspañolEsperantoEuskaraفارسیFiji HindiFrançaisGalego한국어HrvatskiBahasa IndonesiaItalianoעבריתКыргызчаLatviešuമലയാളംNederlands日本語Norsk bokmålPortuguêsRomânăРусскийSlovenčinaСрпски / srpskiSrpskohrvatski / српскохрватскиSuomiSvenskaไทยTürkçeУкраїнськаTiếng Việt中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikimedia CommonsWikiquote From Wikipedia, the free encyclopedia 1988 animated film directed by Katsuhiro Otomo "Akira (anime)" redirects here.

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28 20120406 Sankarea TV, 2012Finished 12 eps, 24 min Comedy Horror Romance Supernatural Ecchi Sankarea Ever since he was a child, zombie-obsessed Chihiro Furuya has wanted an undead girlfriend. Soon enough, his love for all things zombie comes in handy when his cat Baabu gets run over, prompting Chihiro to try to make a resurrection potion and bring him back to life. During his endeavor, he sees a rich girl named Rea Sanka yelling into an old well every day about her oppressive life. After meeting and bonding with her, Chihiro is convinced by Rea to persevere in saving Baabu. Eventually, he succeeds with the help of the poisonous hydrangea flowers from Rea's family garden. Unaware of the potion's success and seeking to escape the burdens of her life, Rea drinks the resurrection potion, mistakenly thinking she will die. Though it doesn't kill her, the effects still linger and her death from a fatal accident causes her to be reborn as a zombie. With help from Chihiro, Rea strives to adjust to her new—albeit undead—life. For a boy wanting a zombie girlfriend, this situation would seem like a dream come true. But in Sankarea, Chihiro's life becomes stranger than usual as he deals with Rea's odd new cravings and the unforeseen consequences of her transformation. [Written by MAL Rewrite] StudioStudio Deen SourceManga ThemeLove Polygon DemographicShounen 7. "My Hero Academia Stage Play's Cast, Visual, Debut Dates Revealed". Anime News Network. Archived from the original on January 13, 2020. Retrieved January 13, 2020. ^ The "Ultra" Stage: A True Hero stage play: Hodgkins, Crystalyn (October 11, 2019). "My Hero Academia Inspires 2nd Stage Play in Spring 2020". Anime News Network. Archived from the original on December 20, 2019. Retrieved January 13, 2020. Pineda, Rafael Antonio (December 1, 2019). "2nd My Hero Academia Stage Play Unveils Ad, 2 New Visuals".
He has a sort of awareness and intellect that most anime protagonists lack, which makes the desolate world he lives in feel just a little bit more authentic. But those who are not a fan of darker or more morally ambiguous protagonists will only find the anime more unappealing with his presence. "Edgy", "pretentious", others might say. Considering that one's enjoyment of Goblin Slayer is almost entirely decided by their interest in the protagonist, and consequently his goblin slaying journey, those who do not find these sorts of characters appealing are well within their right to dislike the anime as a whole. But to say he is dark merely for the sake of being dark would be something of a lie. No, he is dark because he grew up in an awful world with rapey, murderous goblins.
Considering the natural path for most fantasy anime is to gradually hunt stronger and stronger monsters, the fact that Goblin Slayer is perpetually chasing weaker monsters— goblins— and even being ostracised for it by his fellow adventurers, is a refreshing change of pace for a genre that is often so predictable that you can already guess the events of the final episode based on the first. Sure, those in search of climactic fights may find themselves bored with an adventure that stays at largely the same difficulty level for its entire duration (with the rare boss battle here and there), but then again, how many times does one need to see a big bad dude or a dragon slain before they are satisfied? While most anime increase the stakes as the opponents get stronger, Goblin Slayer is able to portray weak little creatures as menacing, something few anime do, slimes and goblins brushed aside as if it is a necessity. The issue is that Goblin Slayer, despite it having a clear, singular focus with goblins as the villain, never really does or say a whole lot with them. They are almost entirely identical to one another, existing to rape, kill or be killed and little else. When the antagonist of a story lacks a motive and a personality, it's kinda hard to care much about where things go in the end.