coco streaming
^ "ブシロードが『けものフレンズ』の完全新作スマホゲーム発表! 配信開始時期も判明 [ファミ通App]". ファミ通App (in Japanese).
Retrieved November 10, 2018. ^ "ブシロード,完全新作ゲーム「けものフレンズぱびりおん」とアラームアプリ「けものフレンズあらーむ」を発表。ティザーサイトも開設". 4Gamer. net (in Japanese). Archived
from the original on May 8, 2022. Retrieved February 8, 2022. ^ 令和3年アニソン大賞. Anisong Awards (in Japanese). Archived from the original on
December 20, 2021.
[6] 2010s–present: Genre diversification[edit] While schoolgirl romances remained popular into the 2010s and 2020s, notably Kase-san (2010–2017), Citrus (2012–2018), Bloom Into You (2015–2019), and Whisper Me a Love Song (2019–present), yuri works during this period began to incorporate new genres, themes, and subject material. [61] The mid-2010s saw yuri works expand to genres such as science fiction and isekai, as well as the formalization of shakaijin yuri (社会人百合, lit. "member of society yuri") as a subgenre focused on stories involving adult women. [61] The growth of digital platforms like Pixiv, Twitter, and Shōsetsuka ni Narō allowed for the creation and widespread distribution of yuri works outside of traditional manga magazine and dōjinshi publishing: My Lesbian Experience With Loneliness (2016) was originally published as a web comic, while the yuri fantasy works Sexiled (2018–2019), Roll Over and Die (2018–present), and I'm in Love with the Villainess (2018–present) began as web novels on Shōsetsuka ni Narō before being adapted into other mediums. [61] Yuri stories by openly lesbian creators also became more prominent, such as My Lesbian Experience With Loneliness. [62] Concepts and themes[edit] Intimacy between women[edit] Yuri as a genre depicts intimate relationships between women, a scope that is broadly defined to include romantic love, intense friendships, spiritual love, and rivalry. [63] While lesbianism is a theme commonly associated with yuri, not all characters in yuri media are necessarily non-heterosexual; Welker states that the question whether yuri characters are lesbians is a "very complicated issue. "[64] Characters in yuri works frequently do not define their sexual orientation in explicit terms, and the matter is instead left to reader interpretation. [65] Rica Takashima notes Western and Japanese fans often have differing expectations for the level of intimacy depicted in yuri, which she ascribes to cultural differences between the groups. [66] She notes that yuri works that enjoy international
popularity tend to be explicit and focused on "cute girls making out with each other," while Japanese fans "have a propensity for reading between the lines, picking up on subtle cues, and using their own
imaginations to weave rich tapestries of meaning from small threads. "[66] Lack of genre and demographic exclusivity[edit] Though yuri has been historically and thematically linked to shōjo manga since its emergence in the 1970s, yuri works have been published in all demographic groups for manga – not only shōjo (girls), but also josei (adult women), shōnen (boys) and seinen (adult men).
An incident
that occurred soon after his move to Tokyo served as inspiration for the manga. Isayama was working a night job at an Internet cafe, when a customer suddenly grabbed him by the collar. "I felt the fear of meeting a person I can't communicate with. " He projects that terror and discomfort through the titans. ^ a b Alversob (June 12, 2012). "Interview with
Attack on Titan Creator Hajime Isayama".
