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For example, you can use it for a granny-type who’s a total sweetheart. Chan is also a common way for girls or women who are friends to refer to one another. But if a guy in a romance anime starts referring to a girl as chan, that means he thinks she’s cute and is probably developing feelings for her. Basically, my personal rule-of-thumb boils down to kun being boy-ish and for buds, and chan being girl-ish, cute, and playful. Sama Sama is basically the intense version of san. Like san, it’s gender-neutral, but it holds a much higher degree of deference.One episode was based around the Chinese concept of Qi. [15] During early planning, the series' tone was far more serious, but after the first four episodes had been written, the staff were worried about the tone becoming bleak, prompting a greater focus on comedy. [5] Several episodes incorporate references, homages, and parodies of popular media. [16] The Japanese episode titles use four-character idioms referencing the theme of that episode's story. They drew from multiple sources, including Japanese and Western sayings (the first episode's title, "Shippu Doto", is a Japanese rendering of the German saying "Sturm und Drang"), philosophical concepts ("Inga Oho" references a proverb about the workings of karma), and pieces of classic media (the episode title "Anya Koro" references Naoya Shiga's novel of the same name). The English episode titles were created by translator Ryan Morris. Morris did not directly translate the Japanese titles, instead using alliteration to preserve the rhythm and meaning. [17] Characters[edit] The series follows the exploits of the three leads−Fuu, Mugen, and Jin−when they are drawn together by circumstance and end up traveling together to find the sunflower samurai. [18][10] The main cast was created by Watanabe,[18] who wanted a cast of heroes who were silly, immature, and dangerous, with "a touch of insanity". [5] He described Mugen and Jin as unconventional people not bound by the rules of the period. [19] The characters were designed by Kazuto Nakazawa, who had worked as both an artist and director on multiple projects including Ashita no Nadja and the anime segments of Kill Bill: Volume 1.
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