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Archived from the original on November 18, 2021. Retrieved December 3, 2021. ^ Morrissy, Kim (December 8, 2021). "Nikkei Entertainment Highlights Tokyo Revengers, Uma Musume, Evangelion As 2021's Biggest Hits". Anime News Network. Archived from the original on December 8, 2021.

However, Tomo ended up breaking it in half. Tomo and her parents then apologized to Junichiro personally. The replacement handheld was later stolen by some bullies. Tomo beat them up and got the handheld back, but Junichiro let Tomo keep it, claiming he would take it back when he proved he was strong enough to stand up with Tomo. Tomo continues playing said handheld in the present, wondering when Junichiro will come to take it back. Tomo and her friends head to the beach where Tomo tries to get closer to Junichiro by putting on a swimsuit.

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Meanwhile, Lunge questions Suk's mother in the hospital about a blonde lady who visited, but she says the woman had the voice of a man. The boy named Milosh encounters Johan disguised as Anna Liebert. She sends him to a nearby red light district in a fruitless search to find his mother, and convinces Milosh that he is not wanted. Grimmer and Tenma find Johan's apartment, but Johan and Milosh have already left. As Milosh wanders the streets, the experience makes him depressed and suicidal. However, Grimmer and Tenma find Milosh in time, creating an unexpected intense emotional experience for both Grimmer and Milosh. 50"The Rose Mansion"
Transliteration: "Bara no Yashiki" (Japanese: バラの屋敷)Kanji WakabayashiMasahiro HayashiApril 13, 2005 (2005-04-13)April 5, 2010 Lunge visits Suk in the StB hospital and suggests that the one responsible for his situation may be the last person he may suspect (a reference to Johan masquerading as Anna). Lunge meets Ranke and reveals that he was unable to obtain information on the whereabouts of Franz Bonaparta, who lived in the Mansion of Red Roses. Ranke reveals that it was abandoned after all the political prisoners and researchers were killed in one day. Lunge obtains permission to investigate the mansion and exposes a hidden room reeking of antiseptic, suspecting that it is the site of a massacre. There is also a portrait of a woman who looks like Anna Liebert. His loose personality suggests he might be an audience insert character, but he doesn’t feel like he’s there to clarify anything. Even his growth feels inconsistent. Halfway through he gets incredibly enthusiastic about certain subjects, but it feels less like earned character development and more like he had to act a certain way to propel a certain episodic narrative. If this were a show like Tatami Galaxy, Nagata would feel like the centerpiece of everything, to ground events in a way the audience can understand and emphasize with his goals and ambitions in a limited cast, but the show opts to hot potato the screentime focus among several characters.
Mizuho is similar, being described as “having a moody personality and refusing to interact with others,” and shouldering the blame for a problem affecting the group, but before too long, she’s fawning over cute animals and talking about the plot in a significantly more chipper way. Once again, it’s hard to see what aspect of teenage life she’s meant to specifically relate toward when her characterization feels more in service of plot than anything else.