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Based on the webtoon of the same name,[2] it is the first series to be produced by the film distribution company Showbox. It aired on JTBC in Korea from January 31 to March 21, 2020, and is streaming worldwide on Netflix. [3][4][5] The series won Best Drama Series at the 25th Asian Television Awards. [6][7] Synopsis[edit] Due to an accident which killed his father, Park Sae-ro-yi (Park Seo-joon) attempted to kill Jang Geun-won (Ahn Bo-hyun), the son of Jangga Group's founder, Jang Dae-hee (Yoo Jae-myung). He was jailed and the woman he loved, Oh Soo-ah (Kwon Na-ra), was offered a university scholarship by Jang Dae-hee and later became the Strategic Planning Head of Jangga Group. After his release from prison, Park Sae-ro-yi opens DanBam in Itaewon.

[7] While developing the character designs for Lelouch, the protagonist of the series, Clamp had originally conceived of his hair color as being white. [7] Ageha Ohkawa, head writer at Clamp, said she had visualized him as being a character to which "everyone" could relate to as being "cool", literally, a "beauty". [7] During these planning stages, Clamp and the Sunrise staff had discussed a number of possible inspirations for the characters, including KinKi Kids and Tackey & Tsubasa. [7] They had wanted to create a "hit show," a series which would appeal to "everyone. "[7] Lelouch's alter ego, Zero, was one of the earliest developed characters, with Ōkouchi having wanted a mask to be included as a part of the series, feeling it was necessary for it to be a Sunrise show, and Clamp wanting a unique design never prior seen in any Sunrise series (said mask was nicknamed "tulip" for its distinctive design). [7] The concept for the Geass may have been inspired by the Irish and Welsh legends of "Geas" or "Geis". A geas is a compulsion laid on someone to do or not do something. While the geas itself does not lie on any spectrum, the benefits or actions of it may be decidedly benevolent or malevolent. The concept fits in into the wider fictional world and its lore of British inspirations. Clamp's finalized original character design art, illustrated by its lead artist Mokona, was subsequently converted into animation character designs for the series by Sunrise's character designer Takahiro Kimura, who had previously spent "every day" analyzing Clamp's art and style from their artbooks and manga series. [7] In working on the animation character designs, he focused on designing them so as to enable the series' other animators to apply them without deviating from Clamp's original art style.

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2Anime 6References 7External links Toggle the table of contents Heavenly Delusion 17 languages العربيةDeutschEspañolفارسیFrançais한국어Bahasa IndonesiaItaliano日本語Oʻzbekcha / ўзбекчаPolskiPortuguêsРусскийไทยTürkçeУкраїнська中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version From Wikipedia, the free encyclopedia Japanese manga series Heavenly DelusionFirst tankōbon volume cover, featuring Kiruko (back) and Maru (front)天国大魔境
(Tengoku Daimakyō)GenreAdventure[1]Mystery[1]Science fiction[1] MangaWritten byMasakazu IshiguroPublished byKodanshaEnglish publisherNA: DenpaImprintAfternoon KCMagazineMonthly AfternoonDemographicSeinenOriginal runJanuary 25, 2018 – presentVolumes10 Anime television seriesDirected byHirotaka MoriWritten byMakoto FukamiMusic byKensuke UshioStudioProduction I. GLicensed byDisney Platform DistributionOriginal networkTokyo MX, HTB, RKB, TVA, MBS, BS11Original run April 1, 2023 – June 24, 2023Episodes13 (List of episodes) Anime and manga portal Heavenly Delusion (Japanese: 天国大魔境, Hepburn: Tengoku Daimakyō, lit. 'Heaven Grand Makyō') is a Japanese manga series written and illustrated by Masakazu Ishiguro. It has been serialized in Kodansha's seinen manga magazine Monthly Afternoon since January 2018, with its chapters collected in ten tankōbon volumes as of February 2024. An anime television series adaptation produced by Production I. G aired from April to June 2023. The story is divided in two storylines with one involving the characters Maru and Kiruko as they travel across a post-apocalyptic world, while another story focuses on a group of children who live in a school. The series was inspired by a manga Ishiguro read in university with the intention of making it different from his previous work, And Yet the Town Moves, and portray a proper dynamic between the two leads as well as the evil they face. The manga has been received positively, with praise given to its sense of mystery and character relationships. The anime adaptation has received a similar response for its focus on relationships and gender issues. Plot[edit] In the outside world, 15 years have passed since an unprecedented disaster completely destroyed modern civilization. [3][4] For JoJo's Bizarre Adventure, Araki wanted to use a classical method as a base before introducing modern elements. As an example, he often draws in a realistic style but uses surreal colors. Araki has been aiming to draw real spirits in JoJo resulting in him going to the Kappa River in Tōno, Iwate, to get a better understanding of the concept. [5] Araki claims to be inspired from the art of the 1980s, shading techniques in Western art, and classical paintings; the manga coloring is based on calculations rather than consistency, with Araki citing artists like Paul Gauguin as inspiration. [3] He also claims mystery is the central theme of the manga, as he was fascinated by it as a child. Furthermore, Araki wanted to explore superpowers and energy in JoJo's Bizarre Adventure resulting in various concepts such as Hamon and Stands. [3] He said that the supernatural basis of the fights in his series evened the battlefield for women and children to match up against strong men. [6] For Stardust Crusaders in particular, Araki was influenced by role-playing games in designing the characters' skills. [3] In creating the manga's generational story, Araki thought much about death and the legacy people leave behind in their lives for their descendants, after the death of his grandfather. He took inspiration from Roots: The Saga of an American Family and East of Eden. Araki focused on Roots for its family-centric story,[7] and he took the idea of intertwined destiny and rivalry between two families from East of Eden.