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[25] He later recalled that the film project had to begin with the writing of an ending that would bring suitable closure to major characters, storylines, and themes without being extraordinarily lengthy, so that he could know in reverse order which manga elements would make the cut into the anime and thus suitably resolve the manga's various elements into a lean, two-hour story. [26] Otomo has called making the film before finishing the manga "the worst possible idea". [27] Although he came to like having two similar but different versions of the same story, he still felt too much of the original was cut out of the film. [27] Otomo is a big fan of Tetsujin 28-go. As a result, his naming conventions match the characters featured in Tetsujin 28-go: Kaneda shares his name with the protagonist of Tetsujin 28-go; Colonel Shikishima shares his name with Professor Shikishima of Tetsujin 28-go, while Tetsuo is named after Shikishima's son Tetsuo Shikishima; Akira's Ryūsaku is named after Ryūsaku Murasame. In addition, Takashi has a "26" tattooed on his hand which closely resembles the font used in Tetsujin 28-go. The namesake of the series, Akira, is the 28th in a line of psychics that the government has developed, the same number as Tetsujin-28. [26] One of the film's key animators was Makiko Futaki; she went on to become a lead animator for Studio Ghibli films such as Kiki's Delivery Service (1989), Princess Mononoke (1997) and Howl's Moving Castle (2004), before passing away in 2016. [28] Another key animator who worked on Akira was former Shin-Ei animator Yoshiji Kigami; he animated several entire scenes in Akira, such as the action scene in the sewers. He later joined Kyoto Animation. [29] Releases[edit] Box office[edit] Box office performance Territory Release(s) Distributor rentals Gross receipts Ticket sales Japan 1988 ¥750,000,000[30] ¥1,900,000,000[31] 1,699,463 (est.
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