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Cid is portrayed as being consistently “cool” and slick. The “Rule of Cool” is fine for an occasional indulgence, but to make it a part of the show’s framework is a dangerous game. Cid Kagenou is *The Eminence in Shadow’s* attempt to make the “Rule of Cool” personified via the main protagonist.
Yet in all that time focusing on him, most of the ensemble gets left out in the lurch. The “Greek chorus,” or the series of women who serve under Cid in Shadow Garden, are the prime example. They are caricatures rather than characters, a harem in principle and occasional sexual connotation, though not with Cid himself. No chance is given to develop many of them into substantial beings—they don’t even get names beyond Greek letter designations, hence why I referred to them as “Greek chorus” before—because the show’s structure deemphasizes their own relevance. Throughout most of the story, they appear for brief moments and then vanish for long stretches of time, and their contributions to Cid’s shadowy operations do little more than deliver messages or background information. There’s a bizarre fixation on several of them being either competitive, protective, or envious of other members’ breasts. Even when they fight, the moments themselves do barely enough to give the women a sense of dimension. It took nearly one dozen episodes of their sporadic appearance before I finally learned who was named what.