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With her kingdom being threatened by a monster infestation, she pleads the wrestler for assistance—to which he answers by knocking her out with a German suplex! Escaping the castle and finding himself stranded in a mysterious land, Genzou decides to begin his career as a beast hunter to capture and befriend creatures far and wide. Joined by the wolf-girl Shigure, the dragon-girl Hanako, and the vampire Carmilla Vanstein, the professional wrestler pursues all kinds of dangerous requests for the sake of fulfilling his dream as a pet shop owner. [Written by MAL Rewrite] StudioENGI SourceManga ThemesAnthropomorphicIsekai DemographicShounen 6. 60 198K Add to My List Digimon Tamers 197690 7. 64 20010401 Digimon Tamers TV, 2001Finished 51 eps, 25 min Adventure Comedy Fantasy Digimon Tamers Digimon Tamers takes place in a world where the popular Digimon franchise is all the rage, consisting of a cartoon, video games, and the trading card game. Takato Matsuda is a huge Digimon fan that's particularly obsessed with the card game, and constantly daydreams about the universe therein.

I. G. Star Fox takes cues from Western cartoon animals and space operas. The fuzzy puppets featured in art for the first game and the puppet like mouth face flapping for dialogue in Star Fox 64 was designed to invoke Thunderbirds, though nowadays it just looks like it was animated that way due to console limitations. StarTropics and its sequel Zoda's Revenge don't hide their American influence at all, in fact, the games are so blatantly Western that the developers even went out of their way to make many references to American history and pop culture. The protagonist, Mike Jones, was named after the most common American names at the time (1990). Star Tropics' very western design was practically intended by Nintendo, as the Star Tropics games were designed to capitalize on the Western markets, and were not released in Japan. The Super Mario Bros. series looks like it is firmly planted in the roots of the The Golden Age of Animation in terms of design. The main characters are plumbers with large noses and moustaches who speak with a heavy Italian accent; the use of anime tropes in the series is rather rare aside from subtle graphical elements (particularly the facial expressions of characters); and the minimal audible spoken dialogue by any of the characters (in any language) is in English.

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It wasn't as if it suddenly became the center of attention; I feel that it steadily picked up fans and expanded its audience". [93] In 2021, in Tokushima, the Red Cross featured characters from the series on blood drive posters, which helped to increase the number of donors. [94][95] In January 2021, Gundam franchise's creator Yoshiyuki Tomino discussed his thoughts on the series in an interview, where he said that he initially felt jealous of how the series attracted "such a dedicated and talented staff", and said: "The voice actors are great, the composer of the song that everyone knows is great. So many talented people showed up! In that sense, what I felt surpassed envy, and I started thinking, 'Man, those guys sure are something!'". Nevertheless, Tomino called the series cultural success a coincidence, explaining: "I don't think that Demon Slayer is a calculated or contrived work. I think that its assemblage was quite a coincidence", adding that in the anime industry people often get chosen for a job because they "just happened to be there" or their schedules "happened to align at the right time" and that it is rare for people with exactly the ideal talents or innate qualities to get chosen. [96] Former prime minister of Japan Yoshihide Suga quoted the series at a House of Representatives Budget Committee in the National Diet in November 2020. [97][98] The incumbent, Fumio Kishida, has remarked that he was a fan of the series, pledging that he would improve the conditions in the anime and manga industry. [99][100] Several politicians even used motifs and patterns from the series in their campaigns in 2021. [101][102] Critical reception[edit] Writing for Monsters and Critics, Patrick Frye wrote that the anime adaptation is "praised [for] the animation quality and flowing battle scenes that integrate digital effects seamlessly" while noting that "some fans have complained about weird story pacing issues thanks to flashbacks and some slow moments, but everyone agrees that once the action picks up, it's amazing. "[103] Writing for Anime News Network, James Beckett highlighted Episode 19 by noting it was "a thrilling showstopper of an episode, showing off ufotable's considerable skills as producers of nearly unrivaled action spectacle. Ippo went with Itagaki to attend his sparring sessions. Afterwards he walked with a beaten Itagaki, and supported him by mentioning that it was probably a bad day. While talking, Ippo became suspicious that Itagaki, Aoki, and Kimura were holding something from him. Itagaki revealed to Ippo that Aoki and Kimura were thinking about retiring after seeing someone around their age in Kojima retiring. Not wanting them to retire, Ippo wished to cheer for them as much as he can. Ippo helping Aoki get over his trauma. At his house, Ippo got a call from Takamura about bad news. Ippo arrived to Takamura to find out what happened and was shown a video which Takamura claimed to be a fatal flaw of Aoki's. Watching the video and heating Takamura's explanation, Ippo learned that Aoki's fatal flaw was that he closes his eyes as a punch is coming toward him. Since Takamura did not want to go to the gym to hear Kamogawa's lecture about his match against Rabbitson, Takamura persuaded Ippo tell Aoki, or Aoki would lose and it would be Ippo's fault. After not being able to tell him the next day, Ippo reviewed Aoki's match videos and discovered that his trauma of closing his eyes happened before his debut match and it was a right straight.
Juichi (ジューイチ, Jūichi) Voiced by: Shunsuke Sakuya[14] (Japanese); Jonah Scott[7] (English) A scavenger and con artist with a dark past who encounters Maru and Kiruko during their travels. Production[edit] Development[edit] Yumeno Kyūsaku was a major influence to Ishiguro's work in the manga After leaving the manga magazine Young King OURs due to a writer's block, Masakazu Ishiguro started drawing Heavenly Delusion with unintentional similarities to his favorite work, Akira, such as the postapocalyptic setting and the dynamic of Maru and Kiruko. Ishiguro aims to write "evil" properly with his manga in contrast to his previous work, And Yet the Town Moves. In this case, humans who no longer feel like actual people. Heavenly Delusion is a collapsed world, so social constructs like laws and rights groups no longer function. Since the goal is to make Heavenly Delusion different from his prior works, Ishiguro hopes to gain a new audience. [15] Once coming up with sketches of young characters suitable for the shonen demographic, editorial members from Afternoon offered Ishiguro to write for their seinen magazine again. [16] Ishiguro came up with the manga when he was a university student. The story is based on the story of a race on a circuit, where the Earth is destroyed in the middle of the race, and the main character is about to die. For the title, he wanted to use wordplay to create ambiguity. Since character "heaven" will appear, he uses "heaven", but he also wanted to use "dai" in the middle and then added "hell".