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There are 13 or so
characters that matter in the show, 11 of which are part of the football
team, and 2 are cheerleaders/managers of the team. That’s a lot of people for me to care about. And Eyeshield 21 does indeed manage to create a team where each character has their distinct personality without archetyping to an extreme degree. Still, most of these characters aren’t super deep. Hiruma, however, does carry the show as the most
expressive character. He’s the cornerstone of the entire show, being the leader of the team, making all the verbal jabs that
make the story propel itself forward. He’s hard on the team and equally hard on himself. He’s got an arrogant and scheming personality to fit his demonic visage and laugh, yet he’s also cold and calculating on almost every play that he makes. He trains the members of the team, calls the shots, and is the leader as the QB. He’ll do anything it takes for victory, and also is the one making crazy decisions for the team to make things interesting. He’s the reason why Deimon Devil bats, his team, can pull off crazy strategies, and can make comeback victories.
Consider adding a topic to this template: there are already 3,788 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at [[:ja:けものフレンズ]]; see its history for attribution. You should also add the template Translated|ja|けものフレンズ to the talk page. For more guidance, see Wikipedia:Translation. Kemono FriendsAnime season 1 key visualけものフレンズ
(Kemono Furenzu)GenreAdventure[1] GameDeveloperNexonPublisherNexonDesigned byMine YoshizakiGenreRPGPlatformAndroid, iOSReleasedAndroid
March 16, 2015
iOS
March 19, 2015 MangaKemono Friends: Welcome to Japari Park!Written byFuraiPublished byKadokawa ShotenEnglish publisherNA: Yen PressMagazineMonthly Shōnen AceDemographicShōnenOriginal runJuly 2015 – March 2017Volumes2 Anime television seriesDirected byTatsukiProduced byKōji Akio
Jun Fukuda
Nobuyuki Hosoya
Yūichi Izumi
Daijō Kudō
Mika Shimizu
Tomo Shioda
Yasuyuki Okamoto
Yoshihiko Ishigaki
Satoshi FukudaWritten byTatsukiMusic byAkiyuki TateyamaStudioYaoyorozuLicensed
byCrunchyrollOriginal networkTV Tokyo, TV Osaka, TV Aichi, AT-XOriginal run January 10, 2017 – March 28, 2017Episodes12 (List of episodes) GameKemono Friends PavilionDeveloperUniqueWavePublisherBushiroadDesigned byMine YoshizakiGenreIncrementalPlatformAndroid, iOSReleasedJanuary 26, 2018 Original net animationWelcome to the Japari ParkLicensed byCrunchyrollReleased August 10, 2018 – present GameKemono Friends PicrossDeveloperJupiterPublisherKadokawa GamesGenrePuzzle gamePlatformNintendo SwitchReleasedOctober 4, 2018 Anime television seriesKemono Friends 2Directed byRyuichi KimuraProduced byNobuyuki Hosoya
Miho Ichii
Yūichi Izumi
Kōji Akio
Daijō Kudō
Yasuyuki Okamoto
Yoshihiko Ishigaki
Satoshi Fukuda
Aya Iizuka
Toshio Iizuka
Toshihiro Nagoshi
Hidehisa Nagasawa
Nobuo KameyamaWritten byTakuya MasumotoMusic byAkiyuki TateyamaStudioTomasonLicensed byCrunchyrollOriginal networkTV Tokyo, TV Osaka, TV Aichi, AT-XOriginal run January 7, 2019 – April 1, 2019Episodes12 (List of episodes) MangaKemono Friends 2Written byRyū NaitōPublished byKadokawa ShotenMagazineMonthly Shōnen AceDemographicShōnenOriginal runJanuary 26, 2019 – present Anime and manga portal Kemono Friends (Japanese: けものフレンズ, Hepburn: Kemono Furenzu, "Beast Friends") is a Japanese media franchise created by manga artist Mine Yoshizaki. The first project was a mobile game developed by Nexon,
which ran from March 2015 to December 2016. A manga by Furai was serialized in Kadokawa's Monthly Shōnen Ace from May 2015 to March 2017. A second game of the series was released by Bushiroad in January 2018.
It’s akin to piling tragic event on top of tragic event until we’re left with a mountain of depression, while my reaction moves from genuine sympathy to
frustration and disappointment. We as viewers look at this film from the same perspective as Seita’s ghost, and while this does emphasize the meaning behind these moments, it essentially removes part of the deep emotion gained from the experience, causing the repetitive nature of these events to feel counterproductive. We see the storyline in full, from establishing its grieving tone to forcing Seita and Setsuko into the film’s personal martyrs.
Their deaths, for our pity.
Regardless of how closely the narrative revolves around these two characters, neither of the pair hold much intrigue outside of being victims. Child characters don’t need a tale of heroism for audiences to get invested in them, but the only attributes Seita and Setsuko have to garner one’s investment is that they’re children who exist as casualties.
