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I have seen many people compare Re:Zero to Steins;Gate in the months since its airing. This is a great disservice to Steins;Gate. Where Steins;Gate spent nearly half its runtime developing the setting and its characters before asking the audience to empathise with and feel for them, Re:Zero does so immediately and does not ever ask for consent. It never develops its setting in any meaningful way-- about all you know for the duration of the story is that it is generic fantasy-land where people hate witches and bad things happen all the time-- and it throws death and gore at the viewer from the very first episode, when nobody even knows or cares about who Subaru is. It is shocking to see major characters die within the first episode, to be fair, but it no longer feels shocking the second, third or eleventh time.
If there was any consequence to these events, it is immediately brought to nothing by the show's contrived gimmick of rebirth and time-travel. It doesn't really matter if someone does die, as time will conveniently bend backwards for Subaru's sake-- never to the beginning, and always to the last major event in the story. There is no cost and no meaning to anything that happens. Subaru's mistakes are immediately erased upon rebirth, and he can go on about his day with nothing but his own guilt holding him back. He is the God of his story and the world is his playground.
What Re:Zero does to compensate for this is killing its characters off in increasingly brutal ways.

Retrieved December 27, 2012. ^ Pirello, Phil; Collura, Scott; Vejvoda, Jim; Schedeen, Jesse; Goldman, Eric; Fowler, Matt (February 21, 2011). "Top 50 Sci-Fi TV Shows". IGN. Archived from the original on October 2, 2013. Retrieved September 8, 2013.

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the café terrace and its goddesses

[11] In contrast to popular belief, Inoue's Musashi does not follow bushido but instead a more unique path with a growth path that he finds realistic. [9] He does not consider Musashi a samurai, but instead as a ronin. [6] Other changes Inoue put when writing the manga was to make the supporting characters have different personalities from the novel. Inoue also expressed difficulties when drawing scene were the characters are wounded, most notably when Musashi battles the 70 Yoshioka which took a lot of energy to properly make. This scene was also a new idea he had when writing the manga as he felt that Musashi required a major challenge than in the novel. [12] In April 2009, Inoue told Nishinippon Shimbun that he suspected Vagabond would be ending "within one or two years". Claiming that he did not know how it would end, but that it had entered its final stages. [13] In January 2010, he confirmed it would be ending within the year. [14] However, in September during a hiatus due to health concerns, Inoue announced that the ending had been delayed until 2011. [15] Inoue posted an update on his website in December 2010, stating that Vagabond would not return until he regained "enthusiasm" for the series. [4] After eighteen-months, Vagabond returned to Morning as a monthly series in March 2012. At the weigh-in, they met for the first time, to Ippo's surprise, Ozuma was a kind man. The match against Ozuma began, and in the first round, both Ippo and Ozuma were on the same pace, dodging each others punches, however Ippo was hit by one of Ozuma's hooks and went down. In the second round, Ippo went down due to a hook. After exchanging punches, Ozuma threw a large hook, Ippo dodged and threw a body blow, knocking Ozuma down. After getting back up, Ozuma threw multiple punches to Ippo, winning the exchange. Ippo, running out of options near the rope, saw an opening as Ozuma threw a hook, Ippo dodged and threw an uppercut and a combo that knocked out Ozuma, winning the match. After school, Ippo watched Miyata's match against Teruhiko Takada. There, he also saw a girl who was looking for a seat and dropped her ticket in front of him. After Miyata's win, Ippo was surprised with how much Miyata has gotten better since their spar. Later, Ippo went to Yamanaka Bakery and saw the same girl who he saw during Miyata's match, working at the bakery. At the Kamogawa gym, Fujii arrived with a tape of Ippo's next opponent, Kenta Kobashi.