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Retrieved December 5, 2021. ^ "86—エイティシックス—Ep. 11 —ディエス・パシオニス—" (in Japanese). ASCII Media Works. Retrieved December 25, 2021. ^ "86--EIGHTY-SIX, Vol.

1. Kimura. Disc sales of the series did not perform well. [26] In September 2020, Discotek Media announced that they had licensed the series, including the 76 episodes, Champion Road and, for the first time in North America, the OVA Mashiba vs. Kimura. [27] The first Blu-ray Disc set (episodes 1–24) was released on January 26, 2021. [28] The second set (episodes 25–48) was released on March 30, 2021. [29] Music[edit] The music for the first anime series was composed by Tsuneo Imahori, who also did the third opening theme song. Tracks of guitars, drums, piano, horns, and combinations of the instruments were used to help accentuate the mood and action of the scenes. The soundtrack was released in Japan on two CDs, First KO and Final Round. The music for the second series was composed by Yoshihisa Hirano.

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Fans were looking forward to Last Blade, Faselei!, and Dynamite Slugger in June and to Evolution and Cotton in July. The most eagerly awaited was Faselei!, which was a mech robot strategy game that completely flexed the graphical and audio capabilities of the tiny NGPC. Digital music is common in handheld games these days, but back then, Faselei!'s MP3-quality intro music was a wake-up call. Sadly, the June honeymoon would not come. Faselei! was a great turn-based strategy game with a cool MP3 intro. It never came out in America. On June 11, 2000, rumors began surfacing on the Internet that SNK would be pulling out of the US and European markets. Admittedly, while the NGPC was beginning to reach a watershed mark in the US, it was failing miserably in Japan. The system's initial popularity there had died out when Bandai introduced its WonderSwan portable game system. The NGPC was selling fewer than 3,000 units per month in Japan. On the console side of things, the Dreamcast releases of King of Fighters 2000 and Fatal Fury: Mark of the Wolves sold below expectations in Japan, while sales in the US of King of Fighters '98 for the PlayStation were equally miniscule. ^ Toonami (June 7, 2023). "Line Up Update 7. 1. 2023". Facebook. Retrieved June 9, 2023.
Sims summed it up as "full of clever setups and characters that, while simple to the point of almost seeming one-dimensional at times, still manage to be solid and entertaining based on their reaction to the increasingly strange, increasingly deadly events around them". [171] Charles Solomon, a writer for The New York Times and Los Angeles Times, praised the moral seriousness of Gon, a quality that gives the protagonist "an appeal his relentlessly upbeat counterparts lack". [172][173] Publishers Weekly gave a positive review to the first volume of the manga, stating that Togashi "shows a deft touch" with its standard story, calling his artwork "clear and graceful", and mentioning that his characters are "endearing and complex". [174] While Rika Takahashi of EX. org and Claude J. Pelletier of Protoculture Addicts found the art style in Hunter × Hunter to be much simpler than Togashi's two previous serializations, Level E and YuYu Hakusho, both reviewers appreciated the intricate narrative and characters.